I Am DB

September 10, 2017

20 Movies I’m Looking Forward to in What’s Left of 2017

Filed under: Movies — DB @ 4:45 pm
Tags: , ,

Since 2009, I’ve been writing about anywhere from 20-30 movies that I’m excited about in the coming year, which I usually post shortly after the Oscars. Last year, I didn’t get the list out until May, but most of the movies I was anticipating were still to come, so okay, no big deal. My intention this year was to get it out in January, since there were actually some February releases I wanted to include.

That didn’t really work out.

Nor did May.

Or July.

And so The Lego Batman Movie, Logan, Guardians of the Galaxy Vol. 2, Alien: Covenant, Song to Song, Beauty and the Beast, Trainspotting 2, The Great Wall, Baby Driver, War for the Planet of the Apes, Detroit and Dunkirk have all passed by.

Now, as we enter my favorite movie season of the year, plenty of titles from my original list are yet to arrive, so in an effort to not totally abandon this blog, and to not completely waste the time I’d already put into this post, I’ve reconfigured it as a sort of Fall Movie Preview, informed by some recent developments at the Venice, Telluride and Toronto Film Festivals. Even this late in the year I have no problem coming up with a list of 20 movies, and could easily have included more that I’m eager to see. No doubt many of these will come up again in my Oscar posts. But for now, consider…

20.
LAST FLAG FLYING

Director: Richard Linklater
Writers: Richard Linklater, Darryl Ponicsan
Cast: Steve Carell, Bryan Cranston, Laurence Fishburnce, J. Quinton Johnson, Yul Vasquez
Release Date: November 3

Among the many films that come up when people talk about the great American cinema of the 1970’s is Hal Ashby’s The Last Detail, which starred Jack Nicholson and Otis Young as Navy officers tasked with escorting a younger, sentenced cadet (Randy Quaid) to prison. It was adapted by Robert Towne from a novel by Darryl Ponicsan, and in 2005 the novelist published a follow-up that dropped in on the three characters post 9/11. From the time it was published, Richard Linklater has wanted to adapt the semi-sequel for the screen, and originally hoped to reunite Nicholson and Quaid, with Morgan Freeman replacing Young, who died in 2001. Sadly, that ship has sailed, with Nicholson essentially retired and Quaid, well…let’s just say Quaid is otherwise occupied and leave it at that. Still, it’s hard to wallow in regret over what might have been when the newly assembled trio is as impressive and promising as Carell, Cranston and Fishburne. And in the end, Linklater — collaborating with Ponicsan on the script — ended up shifting direction a bit by not making the film a direct sequel to The Last Detail, but rather more of a spiritual one in which the trio of leads play different characters. Either way, as far as I’m concerned. Having only seen The Last Detail once, my interest in this movie was never about that one. I’m just excited by the promise of this filmmaker and these actors.

19.
THE CURRENT WAR

Director: Alfonso Gomez-Rejon
Writer: Michael Mitnick
Cast: Benedict Cumberbatch, Michael Shannon, Tom Holland, Nicholas Hoult, Matthew Macfayden, Katherine Waterston
Release Date: December 22

In Christopher Nolan’s 2006 drama The Prestige, two illusionists in the 1800’s engage in an increasingly intense rivalry to dazzle audiences with a particularly astonishing trick. Though fictional, the characters interact with very real inventor Nikola Tesla, who makes a key contribution to their efforts. In The Current War, Tesla once again factors into the rivalry of two competitors, this time the real-life pioneers Thomas Edison and George Westinghouse, as they race to implement the most effective system of delivering electricity to the masses. Cumberbatch and Shannon take on Edison and Westinghouse, respectively, and if Me and Earl and the Dying Girl helmer Gomez-Rejon seems an odd choice for this larger-scale, more cinematic material, he has plenty of experience telling stories of competition and of light and dark as a veteran director of Glee and American Horror Story. As for Tesla, those who can’t get enough of him — nor afford the car that bears his name — can look forward to him being front and center in a potential upcoming film about his relationship with Mark Twain. In the meantime, Nicholas Hoult assumes the mantle from Nolan’s Tesla, the late David Bowie.

X
18.

THE DISASTER ARTIST
Director: James Franco
Writers: Scott Neustadter, Michael H. Weber
Cast: James Franco, Dave Franco, Alison Brie, Hannibal Buress, Zac Efron, Ari Graynor, Melanie Griffith, Josh Hutcherson, Seth Rogen, Sharon Stone, Jacki Weaver
Release Date: December 1

If you live in a major city, there’s a very good chance that on any given weekend, there’s a theater somewhere offering a midnight screening of The Room, a 2003 movie so notoriously awful that it has garnered a devoted cult following and been called the worst movie of all time. One of The Room‘s stars, Greg Sestero, wrote a book about his experience working on the project and his relationship with its fascinating writer, director and lead actor, Tommy Wiseau. In this comedic but affectionate adaptation of that book, James Franco takes on the role of Wiseau, with his brother Dave playing Sestero. Based on the highly favorable reaction to the film upon its debut earlier this year at the South by Southwest festival, the filmmaking team may have spun gold from the dreck, crafting an Ed Wood-like homage that aims to celebrate the passion more than mock the results. After seeing the first teaser trailer for The Disaster Artist, I had my doubts that Wiseau could have performed as poorly as Franco’s interpretation suggests. I was wrong. I’ve never seen The Room; I generally feel that there are too many good movies worth seeing to waste time on the bad ones, even those of the so-bad-they’re good variety. But The Disaster Artist may force me to make an exception.

17.
DARKEST HOUR
Director: Joe Wright
Writer: Anthony McCarten
Cast: Gary Oldman, Stephen Dillane, Lily James, Ben Mendelsohn, Ronald Pickup, Kristin Scott Thomas
Release Date: November 22

While the pedigree of this movie – Atonement director Wright, The Theory of Everything screenwriter McCarten, and a fine cast headed by Oldman – would automatically put it on my list of movies to see, it probably wouldn’t have made the jump to this list had it not just premiered to a thunderous reception at the Venice Film Festival, where Oldman was instantly elevated to frontrunner status in this year’s Best Actor race for his performance as Winston Churchill. That’s all well and good, and no doubt I’ll have more to say about it if I manage to do my usual Oscar write-ups come January. But the movie was celebrated beyond just Oldman’s work. It was hailed as an across-the-board triumph that tells the story of Churchill’s early days in office with vigor and passion, bringing the history of Britain’s stand against Nazi Germany to thrilling life. In addition, by focusing on a narrow period of Churchill’s life rather than going the cradle-to-grave biopic route, it stands to follow in the sterling footsteps of films like Capote and Lincoln by using a specific event from the subject’s life to tell a larger story about who and what they were. As always, I avoided getting too deep into the reviews and reactions, but what I gleaned left no doubt that the movie was now one to anticipate with great expectations.

16.
MURDER ON THE ORIENT EXPRESS

Director: Kenneth Branagh
Writer: Michael Green
Cast: Kenneth Branagh, Tom Bateman, Lucy Boynton, Olivia Colman, Penelope Cruz, Willem Dafoe, Judi Dench, Johnny Depp, Josh Gad, Derek Jacobi, Leslie Odom Jr., Michelle Pfeiffer, Daisy Ridley
Release Date: November 10

As a director, Kenneth Branagh has brought several famous characters of literature to the screen, from Hamlet to Thor to Jack Ryan. Now he’s about to give us a new interpretation of Agatha Christie’s enduring detective Hercule Poirot in one of her – and her character’s – most famous cases. In addition to directing, Branagh will play Poirot, following in the footsteps of such luminaries as Orson Welles, Albert Finney, and Peter Ustinov. The gallery of passengers/suspects provides a grand ensemble opportunity, and Branagh has stacked the movie with an impressive and eclectic cast that includes his hero and regular collaborator Jacobi; Hamilton Tony-winner Odom Jr.; Star Wars: The Force Awakens breakout Ridley; the luminous Pfeiffer, who has worked only occasionally in recent years but appears to be staging a welcome comeback; and Depp, smartly joining a classy ensemble that doesn’t require him to shoulder the movie on his own, but which may amount to more than his recent blink-of-an-eye cameos in Fantastic Beasts and Where to Find Them and Into the Woods. Branagh has big shoes to fill, not just doing justice to Christie’s book, but also working in the shadow of Sidney Lumet’s acclaimed 1974 version which earned six Oscar nominations and boasted an equally impressive — perhaps even starrier — roster of actors. But the results look promising.

X
15.
WONDER WHEEL

Director/Writer: Woody Allen
Cast: Kate Winslet, James Belushi, Max Casella, Tony Sirico, Juno Temple, Justin Timberlake
Release Date: December 1

Until recently, details were typically scarce regarding Allen’s latest effort, other than its 1950’s Coney Island setting. With nothing to go on, including whether or not it was a comedy or a drama, and knowing that the enduring auteur’s output is always hit or miss, it was the presence of Winslet that landed Wonder Wheel on my list. I hoped that having an especially special talent like her – the first cast member announced last summer – meant this was something he tailored to her, and that he rose to the occasion and provided her with a film and a role worthy of her gifts, just as he did with Blue Jasmine in 2013 for our other magnificent Kate…or Cate, as it were. Now we know more about the film, and there’s reason to think my hope will be rewarded. Winslet plays the wife of a carousel operator, who falls for a lifeguard (guess which one is played by Belushi and which one by Timberlake!). Her emotional conundrum becomes more complicated when her husband’s daughter (Temple) from a previous marriage turns up after a long absence and also has eyes for the lifeguard, setting up what Winslet described in Entertainment Weekly as her character’s “great unraveling.” According to the same EW piece, Allen has long wanted to work with Winslet; it almost happened a decade ago on Match Point, until she had to drop out due to a pregnancy and was replaced by Scarlett Johannson). He says he knew it would take one of the great actresses of our time to bring the necessary depth to this character. Knowing Allen’s track record with writing great roles for actors, I have a really good feeling about this one and the likelihood that we’re going to get something superb from Winslet.

14.
THE MEYEROWITZ STORIES (NEW AND SELECTED)
Director/Writer: Noah Baumbach
Cast: Dustin Hoffman, Adam Sandler, Ben Stiller, Candice Bergen, Judd Hirsch, Sakina Jaffrey, Elizabeth Marvel, Rebecca Miller, Emma Thompson, Grace Van Patten
Release Date: October 13

Baumbach’s latest story of family dysfunction, which bowed to strong reviews at the Cannes Film Festival, casts Hoffman as Harold Meyerowitz, a sculptor who, while celebrated, never quite received the recognition he felt he deserved. Sandler, Stiller and Marvel (a dynamic character actress getting increasingly larger roles, including the President-Elect on the recent season of Homeland) play his children, all of whom are brought together by a pair of events concerning Harold. I’m a big fan of Baumbach’s 2005 and 2007 films The Squid and the Whale and Margot at the Wedding, but haven’t been much enamored with his output since. The word out of Cannes was that his latest is more in the vein of those earlier films, so I’m crossing my fingers that those murmurings prove true. Particular praise at the festival was centered on Sandler, who dazzled critics with a performance that served as a reminder of what directors like Paul Thomas Anderson and James L. Brooks have long seen in him. Those directors, and a few others over the years, have cast Sandler in more dramatic material, and he has always risen admirably to the challenge, even if he usually chooses to avoid those sorts of genuine acting opportunities in favor of palling around with buddies Kevin James, Rob Schneider, Chris Rock or David Spade on lazy, clichéd comedies. His performance here was so acclaimed, in fact, that many critics were calling it Oscar-worthy. Though the movie is being distributed by Netflix, the company apparently plans to give it a limited theatrical release the same day it debuts for streaming, which would indeed qualify it for awards consideration. Whether it can break into the race is another matter, but for now I just hope the movie is a reward in and of itself.

13.
COCO
Director: 
Lee Unkrich
Writer:
Adrian Molina
Cast:
Benjamin Bratt, Gael García Bernal, Alfonso Arau, Anthony Gonzalez, Edward James Olmos, Renée Victor
Release Date:
November 22

No, it’a not the long-awaited Conan O’Brien biopic about the struggles of a tall, thin ginger to overcome his physical handicaps and conquer the world of late-night comedy. It’s the next movie from Pixar, set in Mexico on the annual Día de los Muertos holiday. It follows Miguel, a music-loving boy from a music-hating family, who dreams of breaking away from the successful shoemaking business that has been handed down for generations and instead charting his own course as a performer. When he discovers a magical guitar that transports him to the Land of the Dead, he seeks out his ancestors as well as his idol, singer Ernesto de la Cruz, uncovering secrets from both that will affect him profoundly back in the real world…if he can get there. Like all of Pixar’s movies — the non-sequels, especially — this one has been in development for a long time, but will arrive at an ideal moment when diversity is top of mind not just in the entertainment industry but in the world-at-large. Given some of the political conversations going on right now, it will be especially welcome for moviegoers from all backgrounds and age groups to see a culture that doesn’t get enough mainstream exposure depicted in all of its rich and vibrant glory by Disney and Pixar, two giants of animation who know how to lure the masses.

X
12.
SUBURBICON

Director: George Clooney
Writers: Ethan Coen, Joel Coen, George Clooney, Grant Heslov
Cast: Matt Damon, Oscar Isaac, Julianne Moore, Glenn Fleshler, Noah Jupe
Release Date: November 3

The Coen Brothers don’t have a new movie coming out this year, but here’s the next best thing: a script they wrote, directed by one of their frequent stars, and starring three of their past collaborators in Damon, Moore and Isaac. (It almost featured two more, but Woody Harrelson had to drop out due to scheduling conflicts and Josh Brolin’s small role was cut). While Clooney won’t appear onscreen, he’s worked with the Coens enough by now to have a firm grasp of their style, which should help him successfully translate their script to the screen.  It’s an older effort that the brothers considered making in the late 90’s, and which Clooney and Heslov have re-worked to bring it up to date thematically, although it takes place in the 50’s. I’ve heard varying plot descriptions, so I’m not sure what’s true and what’s not, but the story may involve a man who tries to have his wife killed in order to be with her sister. It’s said to be in the Fargo/Burn After Reading vein of other violent comedies from the Coens. We’ll see if Clooney and company can deliver something that feels at home with the originators’  own projects.

11.
MOLLY’S GAME
Director/Writer: Aaron Sorkin
Cast: Jessica Chastain, Bill Camp, Michael Cera, Kevin Costner, Brian d’Arcy James, Idris Elba, Graham Greene, Chris O’Dowd, Jeremy Strong
Release Date: November 22

Aaron Sorkin’s scripts have been directed by an A-list roster of filmmakers. David Fincher, Rob Reiner, Bennett Miller, Danny Boyle and Mike Nichols have all had the pleasure of bringing Sorkin’s words to the big screen. Not for nothing though, Sorkin has been atop the creative ladder long enough that his own time behind the camera seems quite overdue. He’ll finally make the leap with Molly’s Game, adapted from a memoir by Molly Bloom, who as a young woman had Olympic goals as a member of the U.S. national ski team. When that dream failed to materialize, she went to Los Angeles where she got a job as a waitress. Many people go to Hollywood and wait tables on their way to becoming movie stars, but Bloom’s path led her in a different and even more fascinating direction. Her smarts and entrepreneurial nature eventually led to her running a high-stakes underground poker game attended regularly by major Hollywood players including Leonardo DiCaprio, Tobey Maguire and Ben Affleck. But apparently the Russian mob had ties to the game as well, and because Bloom was taking a cut of the pot, legal lines were crossed and the FBI shut down the game and arrested her. (We’ve all been there, right?) It’s a compelling story that should translate nicely to film, especially with this impressive cast getting to dig into the always-delicious dialogue at which Sorkin excels.

10.
IT

Director: Andy Muschietti
Writers: Chase Palmer, Cary Fukunaga, Gary Dauberman
Cast: Jaeden Lieberher, Bill Skarsgård, Jack Dylan Grazer, Nicholas Hamilton, Chosen Jacobs, Sophia Lillis, Wyatt Oleff, Jeremy Ray Taylor, Owen Teague, Finn Wolfhard
Release Date: September 8

I’m a little late on this one, which opened Thursday night, but since I haven’t seen it yet, it still falls under “looking forward.”

The random surge of popularity in the work of Stephen King — The Dark Tower on the big screen and Mr. Mercedes and The Mist on the small – continues here, and the time couldn’t be more right for a film adaptation of the author’s seminal success It, which was published in 1986 during his most prolific and celebrated period. Fueled by the popularity of last summer’s surprise Netflix phenomenon Stranger Things, It has a chance to capitalize on the renewed interest in King’s 80’s oeuvre that was so lovingly evoked by that series. In fact, one of the film’s producers actually used Stranger Things as a reference point for the tone of the film, a tactic made even more ironic by the fact that filmmaker brothers Matt and Ross Duffer created Stranger Things after Warner Bros. denied them the chance to make the It film, presumably unwilling to hand over so prized a property to a relatively untested duo.

The massive, 1,100+ page novel follows a group of seven bullied friends in Derry, Maine – who refer to themselves as The Loser’s Club – as they contend with an ageless, shapeshifting, child-eating demon who favors the form of a clown called Pennywise. This year’s release is the first of a two-part adaptation, focusing on the kids and their battles with Pennywise. The second film will continue their story in adulthood…those who survive to see it, at least.

Although I went through my own Stephen King phase as a teenager, I never got around to reading It, nor did I see the 1990 ABC miniseries that would probably be forgettable if not for Tim Curry’s performance as Pennywise creeping its way into the pop culture consciousness. The role in this new adaptation will be played by Bill Skarsgård (son of Good Will Hunting/Thor star Stellan, brother of True Blood/Big Little Lies star Alexander). The cast of endangered youths includes the excellent Jaeden Lieberher, and yes,  Stranger Things‘ soulful breakout Finn Wolfhard.

Still, there are concerns. It was originally to be helmed by Cary Fukunaga, the terrific director behind the bold 2011 Jane Eyre adaptation starring Mia Wasikowska and Michael Fassbender, the harrowing Beasts of No Nation, and the entire first season of HBO’s True Detective. He’s a filmmaker who has demonstrated a talent for finding horror in realistic settings. When his take on King’s story clashed with the studio’s, he left the project and was replaced by Andy Muschetti, whose only feature credit is the decently-reviewed 2013 Jessica Chastain horror film, Mama. Fukunaga has said that he wanted to treat It like a character drama, teasing out the horror less overtly, whereas the studio wanted a typical, mainstream horror movie…a fact which is no less disappointing for being so predictable. Seldom does any good come from studio executives overriding the vision of a singular filmmaker. Muschetti will surely give the studio what it wanted, but will that be the best thing?

In the end, maybe it will. Reviews have been mostly kind, and as we speak the movie is doing bang-up business and smashing various box office records, so…fingers crossed. If it turns out to be a disappointment, well, at least we’ve got a second season of  Stranger Things to look forward to next month. #JusticeForBarb

X
9.
THOR: RAGNAROK

Director: Taika Waititi
Writer: Eric Pearson
Cast: Chris Hemsworth, Tom Hiddleston, Mark Ruffalo, Cate Blanchett, Benedict Cumberbatch, Idris Elba, Jeff Goldblum, Anthony Hopkins, Sam Neill, Tessa Thompson, Karl Urban
Release Date: November 3

Those of you to study these lists each year, riddle over them, puzzle them out, try to analyze my endgame, those of you who have taken a devoted, scholarly approach to my work, may have noticed that few of the previous Marvel films — only Guardians of the Galaxy and Ant-Man — have been included on this list, even though I’ve said in many other posts that I’m a big fan of the whole series. So why Thor: Ragnarok? Because like Guardians and Ant-Man, it looks like a real curveball that will somewhat shake up the status quo of the Marvel Cinematic Universe (MCU). The first Thor had a lot of enjoyable humor, born out of its fish-out-of-water set-up that found the Asgardian god stuck on earth in a tiny desert town. Thor: The Dark World…well, I can’t say I remember too much about it, though I don’t recall it going for as many laughs. But in perhaps the boldest directorial choice yet on Marvel’s part (even bolder than Edgar Wright for Ant-Man, had that panned out), they handed the reins of this installment to New Zealand filmmaker Taika Waititi, best known for his comic sensibility on such hilarious and acclaimed indies as What We Do in the Shadows and Hunt for the Wilderpeople. Waititi is a delightfully offbeat choice, and everything we’ve seen of Ragnarok thus far paint it as a delightfully offbeat entry in the MCU. Ruffalo has described it — perhaps jokingly — as both a road-movie and a buddy-comedy between Thor and Hulk (the only two Avengers who were MIA from Captain America: Civil War). Waititi has also stated that he took inspiration from the 1980 cult classic Flash Gordon, and that he would have loved the movie to have a soundtrack by Queen just as that film did. In that spirit of fun, the teaser trailer – rocking out to Led Zeppelin’s “Immigrant Song” – gives off a vibe that feels like an 80s arcade game come to life. I can’t wait to see how this turns out.

8.
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Director/Writer: Martin McDonagh
Cast: Frances McDormand, Abbie Cornish, Peter Dinklage, Woody Harrelson, John Hawkes, Lucas Hedges, Zeljko Ivanek, Clarke Peters, Sam Rockwell, Nick Searcy
Release Date: November 10

Movie nerd that I am, I’ve been tracking movies for years. That is, I keep a list of movies being made by actors, writers, directors, even producers that I’m interested in. So it came as a surprise to me when I first saw the red band trailer for Three Billboards Outside Ebbing, Missouri debut on the internet back in March or April, considering that despite the impressive cast and a writer/director whose work I’ve enjoyed, I had never heard of it. So I watched the trailer.

It immediately went on the list. Does this require further explanation?

If nothing else, the trailer promised a showcase role for McDormand, and there can never be enough of those. Now that the film has screened at the Venice Film Festival (where it was just awarded the prize for Best Screenplay), the actress has indeed been praised, but the loudest buzz has been centered around Sam Rockwell. Variety critic Owen Gleiberman hailed the performance as a “revelation,” which is pretty staggering praise considering that Rockwell is hardly an actor whose gifts have been hidden. He has done fantastic work — both comedic and dramatic — in any number of movies from Galaxy Quest to Moon, Confessions of a Dangerous Mind to Choke, The Assassination of Jesse James by the Coward Robert Ford to Conviction. (I’ll forgive his participation in the ill-advised Poltergeist remake.) There are plenty more juicy turns where those came from; this is hardly an actor who’s been hovering on the precipice of a breakthrough. The attention around his performance is additionally surprising since the trailer doesn’t feature all that much of him, and what it does show suggests a performance more in a comedic “dumb guy” vein than the darker, multifaceted character described in reactions to the movie. So if that trailer wasn’t reason enough to put this movie high on the list, it sounds like Rockwell’s work is another.

7.
THE POST
Director: Steven Spielberg
Writer: Liz Hannah
Cast: Tom Hanks, Meryl Streep, Alison Brie, Carrie Coon, David Cross, Bruce Greenwood, Tracy Letts, Bob Odenkirk, Sarah Paulson, Jesse Plemons, Matthew Rhys, Michael Stuhlbarg, Bradley Whitford, Zach Woods
Release Date: December 22

This is not the Steven Spielberg movie I expected to be on this list. For some time, the legendary director has had two movies in the works: an adaptation of the novel Ready Player One, which long ago finished shooting but has extensive visual effects requirements that will prevent it from being out before 2018, and The Kidnapping of Edgaro Mortara, a true story set to star Oscar Isaac and Mark Rylance that was initially expected this year. Apparently, however, the difficulty in finding the right child actor to play the title role led to a delay that opened up a window in Spielberg’s schedule. So now we’ll get The Post, which was first announced in March and came together remarkably quickly to allow it into theaters at the end of the year.

The topical true story is set in 1971 and casts Streep as Kay Graham, publisher of The Washington Post, and Hanks as the paper’s editor Ben Bradlee, as the two defy the Nixon administration by supporting The New York Times‘ efforts to publish the leaked Pentagon Papers, which called into serious question the United States’ ongoing involvement in the Vietnam War. Amidst threats and talk of treason from the White House, journalists banded together and defended their right to publish the leaked materials, eventually leading to a landmark Supreme Court case. Given the current relationship between the President and the press, it’s easy to see why Spielberg would gravitate toward this subject. As he did with Lincoln, the director has lined up an all-star support team to bolster his main players, and a review of the impressive cast list reveals some fun and surprising connections, like Mr. Show buds David Cross and Bob Odenkirk, and real-life couple Carrie Coon and Tracy Letts.

6.
mother!
Director/Writer: Darren Aronofsky
Cast: Javier Bardem, Jennifer Lawrence, Domhnall Gleeson, Ed Harris, Michelle Pfeiffer
Release Date: September 15

Darren Aronofsky went to great lengths to keep this movie’s secrets under wraps. We didn’t get a trailer until maybe a month ago, and unlike many trailers that give away too much of the story, this one definitely emphasized tone over plot. And that tone is one of freak-out terror. The movie has now been seen at the Venice Film Festival, where it inspired impassioned reactions all over the map. Whether critics and audiences cheered or booed it, they definitely felt strongly and it generated plenty of talk, which is exactly what Aronofksy wanted. The set-up is that a couple’s quiet life is disrupted by the presence of unwanted visitors, but even after seeing it, many critics seemed to question what it was about at heart. They all agreed, however, that it was an audacious, over-the-top, absolutely insane trip down a deep dark hole. I’m fascinated to see what it’s all about…and a little scared.

5.
THE SHAPE OF WATER

Director: Guillermo del Toro
Writers: Guillermo del Toro, Vanessa Taylor
Cast: Sally Hawkins, Richard Jenkins, Doug Jones, Michael Shannon, Octavia Spencer, Michael Stuhlbarg
Release Date: December 8

The latest film from the endlessly imaginative del Toro debuted last week at the Venice Film Festival to rapturous responses and this weekend it won the festival’s top prize. Set in the U.S. in 1963, Hawkins and Spencer play workers at a secretive government laboratory (is there any other kind?) who discover a shocking experiment involving an aquatic creature. I’ve avoided reading much about it beyond the basic description that it’s a beauty-and-the-beast-like story, but I know del Toro said that he and his team spent more than half a year designing and crafting the amphibious character. The prominent presence of a creature should come as no surprise to del Toro fans, nor should the painstaking lengths that went into birthing it. This is a guy who truly loves, connects with and has deep empathy for what the rest of us might casually refer to as monsters. His affection for them and the thought he puts into them is why his movies are among the few that still feature bold, original, frightening creations while most movie monsters these days are uninspired and forgettable. The Cold War backdrop suggests that The Shape of Water will hew more closely to del Toro’s masterpiece Pan’s Labyrinth and other work like The Devil’s Backbone than his more action-oriented projects like Pacific Rim and Blade, and a cursory scan at the reviews out of Venice bear that out. Marrying the supernatural and the historical is del Toro’s sweet spot, which makes this new film – now graced with glowing reviews – especially promising.

X
4.
DOWNSIZING

Director: Alexander Payne
Writers: Alexander Payne, Jim Taylor
Cast: Matt Damon, Alec Baldwin, Hong Chau, Joaquin de Almeida, Laura Dern, Neil Patrick Harris, Margo Martindale, Jason Sudeikis, Christoph Waltz, Kristen Wiig
Release Date: December 25

Alexander Payne made his reputation on sharply-observed portraits of simple, everyday folks, but his newest finds him making an unexpected turn into what sounds like Charlie Kaufman country. The script has been floating around for many years, and the plot may have morphed somewhat during that long development period, but the core idea remains: people shrinking themselves down to a smaller size in order to simplify their lives. I know that’s a rather simplistic description, but while the movie has now played at Venice and Telluride, meaning there’s more about it to glean, I’m avoiding anything further. Fans of Payne’s early work will be happy to know that the movie reunites him with his writing partner Jim Taylor over a decade after they last collaborated on (and won Oscars for) Sideways, and they’ve put together a fine cast headed by Damon, after earlier stalled attempts to get the movie off the ground included Reese Witherspoon, Paul Giamatti and Sacha Baron Cohen. Regardless of the characters’ size, I’m expecting big things.

3.
BLADE RUNNER 2049

Director: Denis Villeneuve
Writers: Hampton Fancher, Michael Green
Cast: Harrison Ford, Ryan Gosling, Hiam Abbass, Barkhad Abdi, Dave Bautista, Mackenzie Davis, David Dastmalchian, Sylvia Hoeks, Lennie James, Jared Leto, Edward James Olmos, Robin Wright
Release Date: October 6

35 years after its release, Blade Runner — one of the most acclaimed, admired, revered science-fiction films of all time — is getting a follow-up.

This is a bad idea.

The thing about Blade Runner is that it’s not merely a beloved film. It’s a studied film. It’s a film valued as much by critics and scholars as by fans and cinephiles. The movie’s reputation developed over time; it was not a hit upon initial release. It worked its way into the culture and earned its reputation through conversation and analysis and reconsideration. So in today’s corporate-guided Hollywood landscape ruled by desire for the familiar and for quick-fixes rather than things lasting and meaningful, is there any reason to be optimistic about the movie’s prospects?

The answer is yes, and it’s a big reason: Denis Villeneuve. There have been worrisome rumblings of a Blade Runner sequel for years, but hearing that Villeneuve would take the reins was a game-changer. Because this dude is phenomenal. One of the best directors working today, and yet one who is still flying under the radar of general public recognition even after earning an already overdue Best Director Oscar nomination last year for the Amy Adams sci-fi drama Arrival. Over the last few years he’s been putting out top-notch work (Prisoners, Sicario) and anything he’s doing is worth getting excited about, sight unseen. He also has master cinematographer Roger Deakins onboard, and the trailers for the film have demonstrated expectedly striking, gorgeous visuals. Is it too early to hope this movie could finally end Deakins incomprehensible losing-streak at the Oscars?

Villeneuve has assembled a strong cast for the sequel set decades after the original, led by Ryan Gosling as a new blade runner – a law enforcement agent tasked with tracking down and “retiring” genetically-engineered androids nearly indistinguishable from humans. Serving in that role has him following in the figurative and apparently literal footsteps of Harrison Ford’s blade runner Rick Deckard. Ford is returning, and he’s had both good and not-so-good results in other instances of revisiting years-old characters/films. Original co-screenwriter Hampton Fancher is also back, this time collaborating with Michael Green, who was likely brought to the project by producer and original Blade Runner director Ridley Scott, for whom Green did some story work on Alien: Covenant. Having Scott, Ford and Fancher all involved again is encouraging, but by no means a sign that the movie will be good. Our best hope that the sequel will live up to the reputation of its predecessor is Villeneuve. I’m dying to see what he does.

X
2.
UNTITLED PAUL THOMAS ANDERSON PROJECT

Director/Writer: Paul Thomas Anderson
Cast: Daniel Day-Lewis, Vicky Krieps, Lesley Manville
Release Date: December 25

A decade after their colossal collaboration on There Will Be Blood – a span during which each has only made two other features – Anderson and Day-Lewis are re-teaming. There’s really not much more that needs to be said…which is a good thing, since there’s really not much more than can be said. Almost nothing is known about the movie at this point, other than that it takes place in the fashion world of 1950’s New York…and even that detail is sketchy, since a later report cited London as the setting. Some writers have taken to calling the movie Phantom Threads, but at this stage that’s a working title only. So the movie has no name, it has no substantial plot synopsis, and it barely seems to have a supporting cast to speak of, with only two actresses mentioned when the film quietly began production earlier this year. When news of the film first broke, Vulture took a swing at guessing what — or more accurately, who — the subject might be, based on the New York locale. It was well-considered speculation, but if the movie is set in London, that might render the guess incorrect. Whatever or whoever the subject is barely matters right now. When either of these guys makes a movie, it’s headline news as far as I’m concerned. And if Day-Lewis is to be believed, his recent out-of-nowhere retirement announcement will make this his final film. I’m not sure I buy that this is the three-time Best Actor Oscar winner’s swan song, but if it is, it’s tough to imagine a better way to go out than by re-uniting with PTA. There will be glory.

1.
STAR WARS: THE LAST JEDI

Director/Writer: Rian Johnson
Cast: Mark Hamill, Carrie Fisher, Daisy Ridley, Adam Driver, John Boyega, Gwendoline Christie, Anthony Daniels, Benicio del Toro, Laura Dern, Domhnall Gleeson, Oscar Isaac, Lupita Nyong’o, Andy Serkis, Kelly Marie Tran
Release Date: December 15

J.J. Abrams and his co-writer Lawrence Kasdan brought the Star Wars saga back in fine form with 2015’s The Force Awakens, and now they hand the baton off to Rian Johnson to tell the middle chapter of the sequel trilogy. The inventive writer/director behind Brick and Looper now gets to fill in the gaps while furthering the journeys of new heroes and villains Rey, Kylo Ren, Finn and Poe Dameron. After being much discussed but little seen in The Force Awakens, Luke Skywalker will at last feature prominently, while Princess Leia (she may be General Organa now, but she’ll always be Princess to me) will also find her screen time increased, giving us a last chance to enjoy Carrie Fisher in her defining role. Fans continue to speculate on such mysteries as Rey’s lineage and Supreme Leader Snoke’s identity, but I haven’t engaged much in those guessing games. I’m just excited to delve deeper into the lives of the characters, find out about new additions Dern, del Toro and Tran (all of whom have now now been introduced thanks to Vanity Fair‘s summer cover story), and see what’s become of Luke Skywalker. With a filmmaker as creative as Rian Johnson, I’m confidant the series is in good hands…for now.

 

 

Advertisements

May 7, 2016

20 Movies I’m Looking Forward to in 2016

Filed under: Movies — DB @ 10:00 am
Tags: , ,

Yes, I realize that we’re more than a third of the way through the year and that this annual post might seem pointless by now, but there are probably only three movies released up to this point that would have made the cut, and one of those — the Coen Brothers’ Hail Caesar! — would already have hit theaters even by my usual March, post-Oscars timeframe. So I say this is fair game…and since this is my blog, what I say goes. Truth is, I’m not hugely excited about this year’s offerings, so it took a while for motivation to strike. But there are always movies to look forward to, so the inevitable surprises notwithstanding, here are 20 still to come this year that have my interest piqued.

20.
THE BOOK OF HENRY

Director: Colin Trevorrow
Writer: Greg Hurwitz
Cast: Naomi Watts, Jaeden Lieberher, Bobby Moynihan, Dean Norris, Lee Pace, Sarah Silverman, Jacob Tremblay, Maddie Ziegler
Release Date: TBD

Colin Trevorrow made his feature directorial debut with the indie dramedy Safety Not Guaranteed, before being snagged by the studio system — like so many indie directors before him — to make the massive budgeted Jurassic World. His success on that monster hit led to his selection as director of Star Wars Episode IX. The jury’s still out on whether he deserved that golden ticket or not, but we may get some more clarity on the issue when he delivers this scaled-down story about…I don’t know really. There’s not a lot of information out there yet about the movie, including whether it’s a comedy or a drama or something in between. It makes my list based on my curiosity about Trevorrow, and because it features two of the best child actors working today: Lieberher (St. Vincent, Midnight Special, Masters of Sex) and Tremblay (Room, this adorable Instagram feed).

19.
LA LA LAND

Director/Writer: Damien Chazelle
Cast: Emma Stone, Ryan Gosling, Rosemarie DeWitt, John Legend, J.K. Simmons, Finn Wittrock
Release Date: December 2

Damien Chazelle’s breakthrough movie Whiplash was set in the world of music. For his follow-up, he’s doubling down by going full-on musical. At one time set to feature Emma Watson and Chazelle’s Whiplash star Miles Teller, the movie instead came together with Stone and Gosling, collaborating for the third time after Crazy Stupid Love and Gangster Squad. They play Mia and Sebastian, an actress and jazz pianist, respectively, who fall in love while trying to pursue their dreams of artistic success. Chazelle has spoken of the film as being a heart-on-its-sleeve love letter to Los Angeles and all the regular people therein, struggling to make it big without losing themselves along the way. The songs are, I believe, originals, though I can’t seem to find confirmation of that anywhere. Regardless, original, modern-day musicals are a big creative swing, and there’s no way to know yet if Chazelle’s will emulate Woody Allen’s charming Everyone Says I Love You or James L. Brooks’ disastrous I’ll Do Anything. It’s a dicey proposition, but Whiplash definitely earns Chazelle the benefit of the doubt.

X
18.
ALLIED

Director: Robert Zemeckis
Writer: Steven Knight
Cast: Brad Pitt, Marion Cotillard, Lizzy Caplan, Matthew Goode, Jared Harris
Release Date: November 23

Not much to say about this one yet. My interest stems mainly from the pedigree. I know that it’s set during World War II, and that Pitt plays an intelligence officer who meets Cotillard’s French resistance fighter in North Africa circa 1942. They fall in love, and meet a wacky cartoon rabbit who has invented a time traveling car that whisks them through history, where they interact with presidents and other prominent figures, and influence decades worth of pop culture.

Probably not, but with so little to go on, I’m taking cues from Zemeckis’ resume to fill in the blanks. Kidding aside, a lush period romance set against a dramatic backdrop has its appeals, especially when the central couple are played by actors as watchable as Pitt and Cotillard. And I gotta say, it’s been great to have Zemeckis back in the world of live-action filmmaking. May we never again speak of The Polar Express.

17.
UNTITLED HOWARD HUGHES PROJECT
Director/Writer: Warren Beatty
Cast: Warren Beatty, Alec Baldwin, Annette Bening, Haley Bennett, Candice Bergen, Matthew Broderick, Dabney Coleman, Lily Collins, Steve Coogan, Chace Crawford, Alden Ehrenreich, Taissa Farmiga, Ed Harris, Megan Hilty, Amy Madigan, Joshua Malina, Oliver Platt, Martin Sheen
Release Date: TBD

It’s been 16 years since Warren Beatty made a movie, in front of or behind the camera, which makes this long-in-development project — supposedly due to arrive later this year — a tremendous curiosity. The story concerns an aspiring actress (Collins) who comes to Hollywood and signs a contract under Hughes, where she meets a businessman (Ehrenreich), who is also trying to make a name for himself working for the enigmatic mogul. The two fall in love, but their relationship is complicated by their strict religious upbringings — hers Baptist, his Methodist — and by Hughes’ rules about dating amongst his employees, as well his own direct meddling in their affairs.

Beatty, never known for doing anything quickly, has been trying to make a movie about Hughes for roughly 40 years, and his take has apparently evolved significantly over time from more of a direct biopic to the current incarnation in which Hughes is not the central figure. The tone has been described as “lighthearted romantic dramedy,” and beyond that, the project remains cloaked in mystery. The story sounds charming, and ripe for some classical screwball comedy, if that’s the direction it goes, but it doesn’t seem like anything to generate significant excitement on its own. However, Beatty is a true Hollywood legend, one of the last we still have, so his return to action after such a long hiatus can’t help but generate high hopes.

16.
BILLY LYNN’S LONG HALFTIME WALK
Director: Ang Lee
Writer: Simon Beaufoy
Cast: Joe Alwyn, Vin Diesel, Garrett Hedlund, Deirdre Lovejoy, Steve Martin, Tim Blake Nelson, Ben Platt, Kristen Stewart, Chris Tucker
Release Date: November 11

Slumdog Millionaire‘s Oscar-winning screenwriter adapts the celebrated 2012 novel by Ben Fountain, about a group of Iraq war soldiers on a victory tour, and their stop at the Dallas Cowboys’ stadium on Thanksgiving Day, where the jarring experience of celebration clashes with soldier Billy Lynn’s memories of the operation that earned him and his company war hero status. That general story recalls Clint Eastwood’s 2006 Iwo Jima drama Flags of Our Fathers, but if the plot sounds familiar, the filmmaking technique promises something new. Lee is shooting the movie in 3D and at a whopping 120 frames per second (fps). Every movie you’ve ever seen has been shot at the universal standard of 24 fps. But filmmakers like James Cameron and Peter Jackson believe that higher frame rates offer a more immersive and eye-popping experience. Jackson shot the second and third Hobbit films at 48 fps, and while the results underwhelmed most viewers — they complained that it gave the movies the quality of cheap video — there is still a lot of belief in its potential. In the less fantastical, more realistic setting promised by Billy Lynn’s Long Halftime Walk, the higher frame rate — combined with the 3D photography and 4K resolution (which produces a sharper image with more detail and deeper blacks) — could work more successfully. The idea is that when these pieces of technology — 3D, 4K and higher frame rates — are used together, they compliment each other and negate the problems that each one has on its own. In the end, it won’t matter to most of us, since very few theaters in the world are even equipped to handle projecting a 3D, 4K movie at 120 fps. So let’s hope the story and the film itself are good. At this point, I’ve learned to never underestimate Ang Lee.

15.
SILENCE

Director: Martin Scorsese
Writer: Jay Cocks
Cast: Tadanobo Asano, Adam Driver, Andrew Garfield, Ciarán Hinds, Liam Neeson
Release Date: TBD

A project that Scorsese has been trying to make for years, Silence is the story of two young Jesuit priests in the 17th century who travel to Japan to search for their missing mentor and spread a little Christianity while they’re at it. They arrive to find Christians are being persecuted, and that the man they seek may have turned away from the faith. Religion has been a consistent theme throughout Scorsese’s work, manifesting in both the gritty urban tales he’s most closely associated with (Mean Streets, Bringing Out the Dead, The Departed) and period dramas like this one that address the topic head-on (The Last Temptation of Christ, Kundun). I can’t say this story sounds riveting on paper, but Scorsese remains a bold and vital master filmmaker well into his fifth decade working in the medium. Whatever he’s doing demands attention.

x
14.
JASON BOURNE
Director: Paul Greengrass
Writers: Paul Greengrass, Christopher Rouse
Cast: Matt Damon, Riz Ahmed, Vincent Cassel, Tommy Lee Jones, Julia Stiles, Alicia Vikander
Release Date: July 29

After four films, the Bourne formula has become familiar, but the James Bond series is no less formulaic, and that franchise continues to thrive in its sixth decade, so if the movies still deliver the goods, I’m game for more. After the thrilling third installment, The Bourne Ultimatum, Damon and director Greengrass walked away from the series, unable to settle on a satisfying story. Undeterred, Universal Studios moved forward with The Bourne Legacy, which cast Jeremy Renner, Rachel Weisz and Edward Norton in a story about another agent in a highly secretive government program with ties to Bourne’s, and which depicted events that unfolded parallel to those of Ultimatum. And like its three predecessors, it was pretty great.

Jason Bourne was a character trying to put together the lost pieces of his adult life, and he finally did that in his last outing, so where does the character go from there? Greengrass developed the new story with Christopher Rouse, the film editor who won an Oscar for his work on Ultimatum, and the director’s interest in the post 9/11 political landscape has provided these movies a depth and intelligence to go with the relentlessly paced action. The government conspiracy angle in which this series is steeped is always rife for further exploration, and the role of Bourne has been a great fit for Damon from the beginning. Let’s hope they can keep their streak going.

13.
MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN

Director: Tim Burton
Writer: Jane Goldman
Cast: Asa Butterfield, Judi Dench, Kim Dickens, Rupert Everett, Eva Green, Samuel L. Jackson, Allison Janney, Chris O’Dowd, Terrence Stamp
Release Date: December 25

There’s been little consistency to the quality of Tim Burton’s films over the past several years, unless we’re talking about the quality of the production design and overall look of his films, which is seldom unimpressive. Early word is that his latest is another triumph on that score. Whether it succeeds beyond that remains to be seen, but I’m always looking for Burton to recapture that combination of humor, heart and the macabre that permeates his early career. The potential is there with this adaptation of Ransom Riggs’ novel, a rapturously reviewed best-selling book that was notable for including interspersed black and white photos of creepy, old-timey kids. No wonder a visualist like Burton was drawn to the material. It should be interesting to see how he spins the tale from page to screen, and how this eclectic cast fits into the milieu.

x
12.
PASSENGERS

Director: Morten Tyldum
Writer: Jon Spaihts
Cast: Jennifer Lawrence, Chris Pratt, Laurence Fishburne, Michael Sheen
Release Date: December 21

The Academy Award nominated director of The Imitation Game heads to deep space with two of the most charismatic movie stars working today. Katniss and Star Lord play passengers aboard a massive freighter carrying thousands of people to a colony planet that will take 120 years to reach from Earth. A malfunction in their hibernation chambers wakes the duo up decades before they reach their destination. It’s a great set-up; what happens from there, I don’t know. Is it a creepy sci-fi thriller in which strange things are happening aboard the ship? Is it romantic drama about how these two people deal with their isolation over the course of a lifetime that will likely end before they arrive at the colony? Is it a slapstick comedy about a couple of goofballs who have to save the ship from an invading alien force? Until a trailer arrives, it’s anyone’s guess.

11.
THE NEON DEMON
Director: Nicolas Winding Refn
Writers: Nicolas Winding Refn, Mary Laws
Cast: Elle Fanning, Desmond Harrington, Bella Heathcote, Christina Hendricks, Abbey Lee, Jena Malone, Alessandro Nivola, Keanu Reeves
Release Date: June 24

Nicolas Winding Refn, the Danish filmmaker who brought a stylish aesthetic and Lynchian atmosphere to the 2011 Ryan Gosling crime drama Drive, comes back to L.A. for the story of an up-and-coming model whose youth and beauty are targeted by a group of envious women. The trailer teases a psychological thriller with arresting visuals and a throbbing pulse of danger, though I’m not sure I’m buying Elle Fanning in the central role. There’s not much to go on yet, so I’ll see what she and Refn have in store. It could be an exciting, against-the-grain piece of casting…or a total misfire. Either way, the movie sure looks pretty.

x
10.
THE LIGHT BETWEEN OCEANS
Director/Writer: Derek Cianfrance
Cast: Michael Fassbender, Alicia Vikander, Rachel Weisz
Release Date: September 2

Derek Cianfrance only has a few narrative movies under his belt, but all of them are wrenching, contemporary stories of complicated romantic and/or familial relationships that face disintegration. So get ready for what’s sure to be one of the feel good movies of the year! An adaptation of the 2012 novel by M.L. Stedman, Fassbender plays a lighthouse keeper in Australia whose wife (newly crowned Oscar winner Vikander) has been unable to have children. When a rowboat washes ashore, carrying a dead man and a living baby, the wife insists that they keep the child…and hilarity ensues! Or a tragedy of Greek proportions. I’m definitely betting on one of those two.

9.
MANCHESTER BY THE SEA
Director/Writer: Kenneth Lonergan
Cast: Casey Affleck, Kyle Chandler, Michelle Williams, Gretchen Mol, Lucas Hedges
Release Date: November 18

One of the standouts from this year’s Sundance Film Festival, Manchester By the Sea was picked up for distribution by Amazon Studios, which won a bidding war and will give it a theatrical release before it finds a home on the streaming service. Word out of the festival is that this could be a big player in next year’s awards season, buoyed by stirring work from past nominees Affleck and Williams, and Emmy winner Chandler. Set in the small Massachusetts coastal town that gives the movie its title, the story follows a man who takes on the responsibility of caring for his nephew after his brother’s death. I avoided reading the unfailingly stellar reviews, but gleaned that the movie is deeply affecting, powerful and leaves a lasting impression. It will be nice to see Lonergan — best known for his stage work — regain his cinematic footing after the the ill-fated, ambitious but maddening Anna Paquin-led Margaret. Man, was that movie a mess. But this is the guy who made You Can Count On Me, so..fingers crossed for something closer to that.

8.
THE BIRTH OF A NATION
Director/Writer: Nate Parker
Cast: Nate Parker, Mark Boone Junior, Colman Domingo, Aunjanue Ellis, Roger Guenveur Smith, Armie Hammer, Jackie Earle Haley, Dwight Henry, Penelope Ann Miller, Gabrielle Union
Release Date: October 7

Nate Parker is an actor who has impressed me in under-the-radar dramas Arbitrage, Ain’t Them Bodies Saints and Beyond the Lights, but he has his sights set on bigger things. The actor has worked for years to pull together financing for a dream project about Nat Turner, the Virginia slave who led a violent rebellion against white slave owners in 1831. The film was was ecstatically received at Sundance, where it won the Dramatic category’s Audience Award and Grand Jury prize, and sold for a record-breaking figure to Fox Searchlight, the same studio that guided 12 Years a Slave to a Best Picture win in 2013. The Birth of a Nation hit the festival just as the #OscarsSoWhite controversy was exploding, and speculation was already rampant that come next year’s awards, Parker and his movie would be in the thick of the race, bringing some much needed color back to the proceedings.

x
7.
NOCTURNAL ANIMALS

Director/Writer: Tom Ford
Cast: Amy Adams, Jake Gyllenhaal, Kim Basinger, Kristen Bauer van Straten, Isla Fisher, Armie Hammer, Michael Shannon, Aaron Taylor-Johnson
Release Date: TBD

In 2009, fashion designer Tom Ford moved into filmmaking with A Single Man, starring Colin Firth, Julianne Moore, Matthew Goode and Nicolas Hoult. It was no surprise that his eye for great design translated to the screen, but he proved a natural director right out of the gate, demonstrating an ability to tell a story cinematically and draw strong work from actors. Ford has taken his time landing on a follow-up, which suggests that his interest is filmmaking is driven by producing material that truly speaks to him. That bodes well for Nocturnal Animals, based on a 1993 novel by Austin Wright, which offers a compelling premise: years after their divorce, a woman receives a manuscript from her ex-husband, accompanied by a letter requesting that she read the book and offer her feedback. What unfolds from there is both the story of the novel — a family vacation that takes a violent turn — and the story of the woman, now remarried, as she re-examines the relationship with her ex-husband and where her life has gone since. I tend to enjoy the story-within-a-story structure we’re in store for here, and I’m genuinely excited to see Ford’s sophomore effort, backed by this excellent cast.

6.
STORY OF YOUR LIFE

Director: Denis Villeneuve
Writer: Eric Heisserer
Cast: Amy Adams, Jeremy Renner, Michael Stuhlbarg, Forest Whitaker
Release Date: TBD

In this grounded sci-fi story, Amy Adams plays a linguist who is recruited by the military to determine whether alien spaceships that have appeared across the planet have come in peace or hostility. The premise sounds intriguing, but the main attraction for me is French-Canadian director Denis Villeneuve. With his 2012 kidnapping drama Prisoners and last year’s drug war examination Sicario, Villeneuve has quickly established his expertise at building tension and exercising tight control over every moment of his movies. He continues to fly under the radar, but after these last few films — even the bizarre, uneven Jake Gyllenhaal mystery Enemy achieved an intoxicating, moody atmosphere — he’s due to be recognized for the immense talent that he is. Maybe this will be the movie to bring him into the light of wider recognition. And if not, well, there’s always the Blade Runner sequel he’s gearing up to shoot.

5.
THE NICE GUYS

Director: Shane Black
Writers: Shane Black, Anthony Bagarozzi
Cast: Russell Crowe, Ryan Gosling, Kim Basinger, Matt Bomer, Hannibal Buress, Keith David, Margaret Qualley, Ty Simpkins
Release Date: May 20

Shane Black began his career as one of Hollywood’s hottest screenwriters, who practically pioneered the action-comedy genre as we know it today, through films like Lethal Weapon, The Last Boy Scout and The Long Kiss Goodnight. He transitioned into directing a decade ago with Kiss Kiss Bang Bang, a boisterous crime/mystery/comedy that paired Robert Downey Jr. and Val Kilmer to pitch perfect effect, and marked an auspicious beginning to the post-rehab phase of Downey’s career. The actor even got Black to direct Iron Man 3, which had its merits but was definitely unfamiliar territory. Based on the trailers for The Nice Guys, he appears to be back doing what he does best: blending violent action and fast-paced comedy in a crime-mystery that brings together two great actors who instantly demonstrate an easy, natural chemistry. Gosling looks so goddamn funny in this thing I can hardly wait to see it.

x
4.
LIVE BY NIGHT
Director/Writer: Ben Affleck
Cast: Ben Affleck, Max Casella, Chris Cooper, Scott Eastwood, Elle Fanning, Brendan Gleeson, Anthony Michael Hall, Chris Messina, Sienna Miller, Zoe Saldana, Titus Welliver
Release Date: TBD

Ben Affleck’s foray into the DC Comics universe delayed his directorial follow-up to Argo, which was supposed to come out this year or even last year, only to be pushed to October 2017. But test screenings for the movie are said to have begun, and my reliable sources placed high atop the Hollywood food chain tell me that Affleck is hoping to get the movie out this year, likely in December. We’ll see if he makes it. The Prohibition era crime drama set in Boston and Florida is based on a novel by Dennis Lehane, who has been pretty well served by Hollywood to date. Mystic River, Shutter Island, The Drop, and Affleck’s directorial debut Gone Baby Gone are all based on Lehane books, and all are pretty good, at least. Given Affleck’s skill behind the camera, there’s no reason to think both his and Lehane’s track records won’t continue here.

3.
THE FOUNDER

Director: John Lee Hancock
Writer: Robert Siegel
Cast: Michael Keaton, Linda Cardellini, Laura Dern, John Carroll Lynch, B.J. Novak, Nick Offerman, Patrick Wilson
Release Date: August 5

Set in the 1950’s, Michael Keaton will portray Ray Kroc, the salesman whose milkshake machine led him to a small, successful chain of hamburger restaurants started by brothers Mac and Dick McDonald. Impressed, and seeing potential for something much bigger than the brothers had in mind, Kroc went to work for them and grew the business into the billion-dollar, billion-served ubiquitous behemoth it is today. But the growth came with drama behind the scenes, as Kroc’s aggressive style and lofty ambitions clashed with the brothers’ more humble goals for their operation.

When the movie went into production, I heard it described as being in the vein of The Social Network and There Will Be Blood. Those are two stirling touchstones to aim for, but let’s be clear: director John Lee Hancock, who helmed The Blind Side and Saving Mr. Banks, doesn’t have it in him to make anything as idiosyncratic as There Will Be Blood, nor as blistering as The Social Network. But a script by Robert Siegel — who wrote The Wrestler — is a good start, and more than anything really, I’m just looking for another great role for Keaton. The beloved actor is flying high these days, having starred in the last two Oscar winners for Best Picture. Hopefully The Founder will put him back in the hunt himself, after he came up short for Birdman. Master awards strategist Harvey Weinstein is releasing the movie, so you can bet he’ll push hard for Keaton.

x
2.
FANTASTIC BEASTS AND WHERE TO FIND THEM

Director: David Yates
Writer: J.K. Rowling
Cast: Eddie Redmayne, Carmen Ejogo, Colin Farrell, Dan Fogler, Ezra Miller, Samantha Morton, Ron Perlman, Alison Sudol, Jon Voight, Katherine Waterston
Release Date: November 18

This return to the world of Harry Potter doesn’t really have anything to do with Harry Potter, as it takes place 70 years before the birth of The Boy Who Lived. The focus of this story — the first in a trilogy — is Newt Scamander, an expert in magical creatures (and author of a book on the subject that was among Harry and company’s Hogwarts texts), who runs into trouble during a visit to New York City when some of his specimans escape. Fantastic Beasts existed as a slender volume Rowling published during the Potter years, as if it were a copy of Harry’s textbook. Now, she expands the story, but whereas all the Potter books were adapted for film by other screenwriters, here Rowling makes the leap herself. This is her first foray into writing directly for the screen, and her direct involvement — the fact that this is all-new material generated by Rowling herself — elevates this to something for all us Potter geeks to be truly excited about. Like all great world builders of fiction — Tolkien, Lucas, Martin — Rowling knows every inch of her universe, having developed detailed backstories for every character, creature, event and location. To see her dip back into this beloved world and transpose it to the screen makes this movie much more than a cash grab for Warner Bros., who were no doubt desperate to remain in the Potter business after the series came to its logical conclusion in 2011. David Yates, who did a mostly admirable job with the last four Potter films, returns to the fold.

1.
ROGUE ONE: A STAR WARS STORY
Director: Gareth Edwards
Writer: Chris Weitz
Cast: Riz Ahmed, Felicity Jones, Diego Luna, Ben Mendelsohn, Mads Mikkelsen, Alan Tudyk, Forest Whitaker, Donnie Yen
Release Date: December 16

The first in what might be a never-ending series of spinoff films, Rogue One will depict the Rebel Alliance’s dangerous mission to steal the plans for the Empire’s Death Star. Described by director Edwards (the man behind 2014’s Godzilla) as a war movie, Rogue One — connected to the previous films but outside of its established parameters — will allow for a different tone and feel than we’ve seen in any previous Star Wars movie. That’s an intriguing opportunity, and we can only hope that after the success of The Force Awakens and its revival of this beloved series, this new offshoot will stand on its own while earning the right to call itself a Star Wars story. If the teaser trailer is any indication, we have nothing to worry about.

 

 

March 15, 2015

25 Movies I’m Looking Forward to in 2015

Filed under: Movies — DB @ 9:00 am
Tags: , ,

I haven’t gotten around to posting about my favorite movies from 2014, but since that might take until sometime in late summer, why not go ahead and consider what the current year has to offer? Yes, we’re two and a half months into 2015, but the best is yet to come. How many of these movies will be on my Favorites of 2015 list? Find out when that post gets published in October 2016! Until then…

25.
SICARIO
Director: Denis Villeneuve
Writer: Taylor Sheridan
Cast: Emily Blunt, Jon Bernthal, Josh Brolin, Benicio del Toro, Jeffrey Donovan
Release Date: September 18

Denis Villeneuve landed on my directors-to-watch list thanks to his impressive work on the 2013 kidnapping drama Prisoners, which was among my favorite films of that year. I wasn’t quite as high on his next film Enemy (actually made before Prisoners but released after), although there were things about it I enjoyed. His first true follow-up centers on a female FBI agent who is recruited into a CIA operation targeting the head of a Mexican drug cartel. In addition to my curiosity over Villeneuve’s upcoming projects, Blunt is a big part of the reason I’m anticipating this. She’s been killing it lately, and if she carries this film as well as I expect she will, the strength of her work — combined with excellent performances as anti-damsels-in-distress in Edge of Tomorrow and Looper — could send her already strong stock through the roof.

24.
ADAM JONES
Director: John Wells
Writer: Steven Knight
Cast: Bradley Cooper, Daniel Brühl, Jamie Dornan, Lily James, Sienna Miller, Matthew Rhys, Omar Sy, Emma Thompson, Uma Thurman, Alicia Vikander
Release Date: TBA

Cooper plays a celebrated but wild chef in Europe whose bad habits derail his career and force him to rebuild his reputation. Buzz on the script, which has been kicking around for quite a while now, has been extremely strong, with word that the lead character is a meaty role for any actor lucky enough to play it. David Fincher was attached to direct Keanu Reeves at one point, and some other directors were involved before it went to John Wells. It will be interesting to see how the director of The Company Men and August: Osage County handles the material. Those movies showed he has a way with actors, but both were fairly talky. This film is rumored to have a different energy that will test his range. Still, all the ingredients seem to be in place for something tasty.

23.
IN THE HEART OF THE SEA
Director: Ron Howard
Writer: Charles Leavitt
Cast: Chris Hemsworth, Frank Dillane, Michelle Fairley, Brendan Gleeson, Tom Holland, Cillian Murphy, Charlotte Riley, Donald Sumpter, Benjamin Walker, Ben Whishaw
Release Date: December 13

This maritime epic tells the true story of the Essex — a whaling ship out of Nantucket — and its encounter with a massive sperm whale in the Pacific Ocean, an episode which would become the inspiration for Herman Melville’s Moby Dick. The movie was originally set for release this month, so trailers have been around for a while to tease what looks like a thrilling adventure with great cinematography from Slumdog Millionaire‘s Oscar winning Anthony Dod Mantle, who also collaborated with Howard and Hemsworth on the race car drama Rush. Until someone makes a film based on “The Mariner’s Revenge Song” by The Decemberists (seriously, that could totally be a movie), this might do nicely.

22.
TRIPLE NINE
Director: John Hillcoat
Writer: Matt Cook
Cast: Casey Affleck, Clifton Collins, Jr., Chiwetel Ejiofor, Gal Gadot, Woody Harrelson, Michael B. Jordan, Anthony Mackie, Teresa Palmer, Aaron Paul, Michael Peña, Norman Reedus, Kate Winslet
Release Date: September 11

There’s not a lot to say yet on this one. We know it’s about a group of criminals and corrupt cops working together to plan a large-scale heist that, in order to pull off, will involve killing a rookie officer. It’s mainly here because of that cast. Cate Blanchett and Christoph Waltz were attached at one point, but scheduling conflicts prevented their involvement. Not that a good cast is ever a guarantee of a good movie, but I’d like to think that with so much talent involved, or trying to be involved, there must be something great on the page to attract them.

21.
SEA OF TREES
Director: Gus Van Sant
Writer: Chris Sparling
Cast: Matthew McConaughey, Ken Watanabe, Naomi Watts
Release Date: TBA

In what promises to be the feel-good comedy of the year, McConaughey plays a man who travels to Japan to take his own life in the woods at the base of Mount Fuji, an area known as “Suicide Forest” because it has attracted so many others with the same intention. An encounter with Watanabe’s character, who is lost in the woods, leads both men on a physical and emotional journey to find their way. We’ll see if this ends up being plot-driven, or if it’s more of a meandering meditation in the vein of Van Sant’s Elephant and Gerry. I always enjoy Watanabe’s performances, and this is also another nice move for McConaughey, who keeps picking interesting projects and quality directors.

20.
ANT-MAN
Director: Peyton Reed
Writers: Adam McKay, Paul Rudd
Cast: Paul Rudd, Michael Douglas, Hayley Atwell, Bobby Cannavale, David Dastmalchian, Martin Donovan, Judy Greer, Wood Harris, Evangeline Lilly, Michael Peña, John Slattery, Corey Stoll, John Slattery, T.I.
Release Date: July 31

The Marvel machine rolls on this year, with two of the summer’s most anticipated movies coming from the comic giant’s stable. While you won’t find it on this list, I’m definitely looking forward to Avengers: Age of Ultron, but I give a spot to Ant-Man, just as I did last year to Guardians of the Galaxy, because it’s an unknown quantity that seems full of fun promise. Marvel’s movies continue to strike the right tone between action, comedy and just enough legitimate pathos to add some depth. Guardians, especially, was as much comedy as fantasy action, and the choices of Paul Rudd to play the lead role in Ant-Man, and Will Ferrell’s creative partner Adam McKay (director of Anchorman) to co-write it, indicates that another supremely entertaining movie is in store. The project was marred a bit by the departure of original director Edgar Wright (Shaun of the Dead, Scott Pilgrim vs. the World), whose vision apparently clashed with Marvel’s even after a long period of fruitful development. He brought most of the cast onboard before parting ways, and hopefully something of his spirit will survive to the finished film. He and his co-writer Joe Cornish retain story credit, while the actual script was rewritten by McKay and Rudd. McKay came close to directing it himself  a time commitment he was ultimately unable to make, but a near-miss that further suggests the tone we can expect from the movie.

Side-note: Those of you immersed in the Marvel film series will note that Hayley Atwell, from Captain America: The First Avenger and the Agent Carter TV series is set to appear in Ant-Man, as is John Slattery, who played Tony Stark’s father Howard in vintage footage during a brief scene from Iron Man 2, only to be replaced in Captain America and Agent Carter by Dominic Cooper. Perhaps Slattery is supposed to be an older version of Stark, but I don’t recall his scene in Iron Man 2 taking place so many years after the character’s time with Captain America and Peggy Carter that a markedly older actor would be required to play him. In fact, the switch from Slattery to Cooper has stood out to me as one of the few inconsistencies in the carefully constructed universe of Marvel’s movies. Maybe Ant-Man will clear things up for me.

Geek digression over.

19.
SISTERS
Director: Jason Moore
Writer: Paula Pell
Cast: Tina Fey, Amy Poehler, Ike Barinholtz, Samantha Bee, James Brolin, John Cena, Rachel Dratch, John Leguizamo, Heather Matarazzo, Kate McKinnon, Bobby Moynihan, Maya Rudolph, Dianne Wiest
Release Date: December 18

Fey and Poehler play sisters who decide to throw a party at their childhood home before their parents sell it. But honestly, does it matter what the movie is about? Haven’t we gotten to a point where anything that Tina Fey and Amy Poehler do together is something we all just watch, no questions asked? If somehow your answer is “no”, consider that writer Paula Pell is a damn funny lady in her own right. She’s been with Saturday Night Live for years, including the Fey-Poehler era, and presumably knows exactly how to write to their strengths. Then there’s director Jason Moore, whose credits include Avenue Q on Broadway and 2012’s comedy gem Pitch Perfect. Satisfied?

18.
BLACK MASS
Director: Scott Cooper
Writers: Scott Cooper, Mark Mallouk
Cast: Johnny Depp, Kevin Bacon, W. Earl Brown, Rory Cochrane, Benedict Cumberbatch, Joel Edgerton, David Harbour, Dakota Johnson, Sienna Miller, Julianne Nicholson, Jesse Plemons, James Russo, Peter Sarsgaard, Adam Scott, Corey Stoll, Jeremy Strong, Juno Temple
Release Date: September 18

Those of us who have been eager to see Johnny Depp wipe off the makeup, shed the silly voices and reconnect with his gifts as a dramatic actor may finally have found the movie we’ve been waiting for. Well…okay, he’ll still be in makeup. And…alright, he’ll probably be doing an accent. But the transformation will be in the service of something more serious than Jack Sparrow (great at first, getting old now), the Mad Hatter or Tonto. Depp will play “Whitey” Bulger, the infamous Boston crime figure who eluded capture for 16 years and was, for most of that period, number two on the FBI’s 10 Most Wanted list, second only to Osama Bin Laden. (Bulger was the inspiration for Jack Nicholson’s crime boss Frank Costello in The Departed). Further proof that Depp won’t be fooling around: Black Mass is directed by Scott Cooper, who previously helmed Crazy Heart, for which Jeff Bridges won an Academy Award, and Out of the Furnace, a brooding drama with superb performances from Christian Bale, Casey Affleck and Woody Harrelson. Cooper is a thoughtful filmmaker who always looks for a personal angle to keep him invested. Hopefully he’s found one here, as the project didn’t originate with him. He came on after Barry Levinson left. Even if this is more a director-for-hire job than his last two films, he’s a pretty good director to hire. Bulger’s story should provide him, his excellent cast, and the man who was once Donnie Brasco with a lot of material to dig into.

17.
KNIGHT OF CUPS
Director/Writer: Terrence Malick
Cast: Christian Bale, Cate Blanchett, Natalie Portman, Antonio Banderas, Wes Bentley, Jason Clarke, Brian Dennehy, Ben Kingsley, Joel Kinnaman, Thomas Lennon, Isabel Lucas, Nick Offerman, Ryan O’Neal, Teresa Palmer, Frieda Pinto, Imogen Poots, Shea Whigham, Michael Wincott
Release Date: December 11

Terrence Malick’s latest metaphysical drama debuted in February at the Berlin Film Festival, and secured U.S. distribution with a small indie company, although I can’t locate an actual story or article confirming the release date listed above, which started showing up around the web out of the blue. The movie centers on Bale’s character, an actor struggling with the same existential quandaries that most of Malick’s characters grapple with these days. The director shows no signs of moving back toward a more straightforward narrative. In fact, Cups is said to go even further toward the fragmented style of his recent films The Tree of Life and To the Wonder. I figure that by the time Malick’s next movie comes around, it won’t actually be a movie, but rather some kind of performance art piece where after buying your ticket, you’re taken to a beach or a field of tall grass and asked to stand around contemplatively while a voiceover talks cryptically of love, loss and God. Hey, I’ll still show up. Even in their sometimes frustrating abstraction, I find Malick’s work transfixing. To the Wonder was kind of a slog, but I’m hopeful that the urban, Hollywood setting of Cups on display in the trailer will inject a little more life into the proceedings.

Incidentally, Joel Kinnaman, while promoting another movie, was asked about working with Malick, and offered this classic response:

I had a one-day shoot, and I had a 17-page monologue. It was a crazy day. It was great to get to be part of the Malick world for a day. I have no idea what the movie’s about. I barely know who my character was. We’ll see if I’m in it or not. I remember, we’d be shooting, and I’d be on page 12 of my 17-page monologue, and I’d turn around and see that he was 100 yards away, shooting a pink dog.

That sounds about right.

16.
DEMOLITION
Director: Jean-Marc Vallée
Writer: Bryan Sipe
Cast: Jake Gyllenhaal, Naomi Watts, Chris Cooper
Release Date: TBA

I don’t really know anything about this movie. Brief descriptions I’ve found say it’s the story an investment banker who re-examines his life after enduring a tragedy. That’s a pretty damn vague synopsis. But here’s what I do know: Jean-Marc Vallée, director of Dallas Buyers Club and Wild, is emerging as an excellent filmmaker who knows how to tell dramatic human stories that skillfully walk the line between naturalistic and cinematic; Jake Gyllenhaal is making great choices and inhabiting his characters with intense commitment; Naomi Watts, likewise, is also picking really good projects lately; and Chris Cooper can do no wrong. With that line-up of talent, this is a no-brainer for me, whatever it’s about.

15.
MIDNIGHT SPECIAL
Director/Writer: Jeff Nichols
Cast: Michael Shannon, Adam Driver, Kirsten Dunst, Joel Edgerton, Jaeden Lieberher, Sam Shepard, Paul Sparks
Release Date: November 25

Nichols, whose most recent effort was the terrific Mud another of my favorites from 2013 has his biggest film to date, both in scope and budget, with this sci-fi thriller about a father (Shannon, who has appeared in all of the director’s films) trying to protect his young son who has unique abilities that have caught the attention of both the government and a religious cult. Nichols has said that he’s going for something in the tone of John Carpenter’s Starman, the 1985 drama starring Jeff Bridges as a stranded alien who takes the form of a woman’s dead husband. Seeing the filmmaker apply his grounded style to this type of story has my curiosity piqued.

14.
THE GOOD DINOSAUR
Directors:
Peter Sohn, Bob Peterson
Writers:
Bob Peterson, Enrico Casarosa
Cast:
Judy Greer, Bill Hader, Neil Patrick Harris, John Lithgow, Frances McDormand, Lucas Neff
Release Date:
November 25

What if the dinosaurs had not been wiped out by an extinction event? That’s the question that sets up the first of Pixar’s two  count ‘em, TWO  new movies this year. Beyond, that, I’m not really sure what the movie is about, other than that it focuses on a teenage dino from a family of Apatosauruses and a human boy. Based on the kid’s garb in the teaser posters, it looks like we’re still dealing with prehistoric society, as opposed to a contemporary world where dinosaurs still exist; more The Flintstones than The Lost World: Jurassic Park. The movie may have changed considerably from inception to completion, having undergone an overhaul that saw original director Peterson replaced during production (not an uncommon or necessarily negative occurence at Pixar given the way they’re structured; Toy Story 2, Ratatouille, and Brave all hit similar roadblocks and turned out just fine). Toy Story‘s beloved Rex is not going to have his inferiority complex helped by the fact that Pixar is making an entire movie about dinosaurs and not including him, but for the rest of us, two new movies from Pixar  originals, at that  is cause for celebration.

13.
TRAINWRECK
Director: Judd Apatow
Writer: Amy Schumer
Cast: Amy Schumer, Barkhad Abdi, Dave Attell, Vanessa Bayer, Mike Birbiglia, John Cena, Jon Glaser, Bill Hader, LeBron James, Brie Larson, Norman Lloyd, Tim Meadows, Method Man, Ezra Miller, Randall Park, Colin Quinn, Tilda Swinton
Release Date: July 24

I’m not too familiar with Schumer. I don’t watch her Comedy Central series Inside Amy Schumer, but I’ve seen bits and pieces of her work, and I always like what I’ve seen. Here she plays a successful magazine writer whose anti-monogamy views are challenged when she meets a nice-guy doctor (Hader). Being largely in the dark about her, Apatow is the main the attraction for me. I’m a big fan to begin with, but I really like that he so supportive of other comedic voices. This is the first film he’s directing that he didn’t write, and it was simply because he wanted to be in business with Schumer, who he encouraged to write the film in the first place. He’s often perceived as a guy who makes dude movies, so I like seeing him show once again (he also works closely with Lena Dunham on HBO’s Girls) that he’s an equal opportunity comedian whose aim is to nurture funny people with unique voices.

12.
ALOHA
Director/Writer: Cameron Crowe
Cast:
Bradley Cooper, Rachel McAdams, Emma Stone, Alec Baldwin, Jay Baruchel, Michael Chernus, John Krasinski, Danny McBride, Ivana Milicevic, Bill Murray
Release Date:
May 29

This one was on last year’s list, but Sony bumped it from an intended holiday season release. The project has been bouncing around for a while, and it’s nice to see it finally coming in for a landing, especially since the trailer provides the impression that it will be vintage Cameron Crowe: charming, romantic, funny, earnest, and boasting a sublime cast. From what I’ve gathered, Cooper plays a defense contractor at a low point in his career who returns to a military base in Hawaii for a new operation. There, he confronts his past in the form of a now-engaged old flame and considers his future with a pilot involved in his project. Crowe has been a bit off his game with recent movies, and I would love to see him hit a home run with the kind of old-fashioned romantic comedy that has all but disappeared from the landscape.

Oh, a note to Sony and whoever made that trailer: while it’s true that Cameron Crowe is an Academy Award nominated writer, he’s also an Academy Award winning writer. That might have been the way to go.

11.
THE MARTIAN
Director: Ridley Scott
Writer: Drew Goddard
Cast: Matt Damon, Sean Bean, Jessica Chastain, Jeff Daniels, Chiwetel Ejiofor, Donald Glover, Kate Mara, Michael Peña, Sebastian Stan, Kristen Wiig
Release Date: November 25

Ridley Scott is amazing. At 77 years old, the guy is pretty much putting out a movie a year. So is Woody Allen, at age 79. But unlike Allen’s modest, dialogue-driven movies, Scott’s are large in scope, usually requiring massive production efforts, both pre and post. And the list of projects he has in development is lengthy. All that said, the films themselves can be hit or miss, and at this point he’s overdue for a hit. Whether or not The Martian will deliver I can’t say, but the potential is certainly there. In fact, the story behind the film might be worthy of a film itself. It’s based on novel by Andy Weir, who self-published it and then saw it explode on Amazon, earning praise for its detailed and carefully researched science as well as its wry humor and appealing central character. That would be an astronaut (Damon) who is accidentally stranded on Mars when his crew, believing him dead, departs without him. Scott has corralled a terrific supporting cast, and if the script and story are strong, his skill for creating arresting visuals while also coaxing good work from actors should serve this material splendidly.

10.
BRIDGE OF SPIES
Director: Steven Spielberg
Writers: Matt Charman, Joel Coen, Ethan Coen
Cast: Tom Hanks, Alan Alda, Eve Hewson, Domenick Lombardozzi, Billy Magnussen, Peter McRobbie, Amy Ryan, Mark Rylance
Release Date: October 16

The fourth collaboration between Spielberg and Hanks has been flying quietly under the radar. Hanks will play real-life attorney James B. Donovan, who was tasked with negotiating the release of an American pilot shot down over the Soviet Union while doing reconnaissance. The historical drama sounds like good material for Hanks, and another chance after Lincoln for Spielberg to put story front and center.

9.
SPOTLIGHT

Director: Thomas McCarthy
Writers: Thomas McCarthy, Josh Singer
Cast: Billy Crudup, Michael Keaton, Rachel McAdams, Mark Ruffalo, Liev Schrieber, Jamey Sheridan, John Slattery, Stanley Tucci
Release Date: TBA

Sometimes you hear the plot of a movie, you see the cast, the director, and you just have a feeling it’s gonna be good. Well…I do, anyway. I have that feeling about this journalism drama, the true story of The Boston Globe’s investigative reports into sexual abuse of children within the city’s Catholic Archdiocese. The series exposed a scandal which had been known but ignored for years, and earned the Globe‘s Spotlight team a Pulitzer Prize for Public Service.

Tom McCarthy directed The Station Agent, The Visitor and Win Win, all warm relationship dramadies, but here moves into more straightforward dramatic territory. I’ve compared his films to those of Alexander Payne in the past, and griped that he doesn’t get the level of acclaim that he’s deserved. Maybe this movie will change that. I certainly hope so. This has tremendous potential. (For what it’s worth, I like the irony of the guy who played a journalist fabricating a story on The Wire now co-writing and directing a movie about journalism at its finest.)

8.
TOMORROWLAND
Director: Brad Bird
Writers: Brad Bird, Damon Lindelof, Jeff Jensen
Cast: George Clooney, Pierce Gagnon, Judy Greer, Kathryn Hahn, Keegan-Michael Key, Hugh Laurie, Tim McGraw, Britt Robertson
Release Date: May 22

A decade or so ago, Walt Disney Pictures started looking inward, developing movies based on their theme park rides. Happily, that yielded Pirates of the Caribbean: The Curse of the Black Pearl. Less happily, it yielded Haunted Mansion and The Country Bears. The studio is still looking to its own vaults for inspiration, resulting in two newer trends: turning its animated films into live action ones (Alice in Wonderland, Maleficent, Cinderella, the upcoming The Jungle Book, Beauty and the Beast and Dumbo) and perhaps more oddly, making movies out of its business decisions. That trend kicked off with Saving Mr. Banks, and now we have the more mysterious Tomorrowland. There’s been a lot of secrecy around this project, originally titled 1952, but it does appear to involve the futuristic park that exists within the Magic Kingdom at Disneyland and Disney World  though to be fair, I think the idea was brought to Disney, as opposed to being generated within the studio. Damon Lindelof, who initially conceived of the story and eventually collaborated with Jeff Jensen  who covered Lindelof’s Lost for Entertainment Weekly and came up with theories as thrilling and creative as much of the show itself  and The Incredibles writer/director Brad Bird, has said the movie doesn’t actually take place in the park, but there is definitely a connection. What does seem clear is that the parties involved are aiming for a family-friendly sci-fi adventure that seeks to capture a tone of hope and optimism that’s become increasingly rare in our views of the future  real and imagined.

7.
THE REVENANT
Director: Alejandro G. Iñárritu
Writers: Alejandro G. Iñárritu , Mark L. Smith
Cast: Leonardo DiCaprio, Lukas Haas, Tom Hardy, Domnhall Gleeson, Will Poulter
Release Date: December 25

While Birdman was soaring across the movie awards circuit in the last several months, its now Oscar-winning director Alejandro G. Iñárritu was keeping busy shooting his next project, a long-in-development story about a fur trapper in the 1800’s who is robbed and abandoned by his fellow travelers after being mauled by a bear. (Stephen Colbert’s gonna love this movie!) He survives, and goes after those who left him for dead. Just as Birdman was a sharp turn from the heavy dramas for which Iñárritu was known (Amores Perros, 21 Grams, Babel, Biutiful), The Revenant’s revenge drama roots are unexplored territory for him. And just as with Birdman, I imagine that this exercise in genre will have much more on its mind than simple brutality or emotional satisfaction.

6.
SPECTRE
Director:
Sam Mendes
Writers:
Neal Purvis, Robert Wade, John Logan
Cast:
Daniel Craig, Dave Bautista, Monica Bellucci, Jesper Christensen, Ralph Fiennes, Naomie Harris, Rory Kinnear, Léa Seydoux, Christoph Waltz, Ben Whishaw
Release Date:
November 6

I didn’t grow up immersed in the James Bond series, but while longtime fans understandably consider Sean Connery to be the quintessential Bond, can we all agree that the last installment, Skyfall, was among the four or five best  if not the single best  movie in the series? I’ll assume we can. As such, the weight of expectation here is considerable, as it often is with sequels. Director Mendes and writers Purvis, Wade and Logan are all returning, and while the chance of capturing lightning in a bottle twice in a row is unlikely, we can hope. Skyfall is special for many reasons, occupying a unique position in the Bond canon as both pivotal and transitional. Most Bond films are primarily just “the next adventure,” but this one, whatever it is, will be very much the result of Skyfall‘s events, to a degree that none of the previous 23 films  even Casino Royale‘s follow-up Quantum of Solace  have been so directly impacted by their predecessor. As for where the story might be headed, fans recognize SPECTRE as the criminal organization that Bond has contended with in several of the earlier films and in Ian Fleming’s books, and it will be fun to see how Mendes brings the group into the more gritty, contemporary milieu that the Daniel Craig era has ushered in.

5.
INSIDE OUT
Director: Pete Docter
Writers: Michael Arndt, Pete Docter
Cast: Lewis Black, Bill Hader, Mindy Kaling, Diane Lane, Kyle MacLachlan, Amy Poehler, Phyllis Smith
Release Date: June 19

Pixar’s second release this year  though it will be the first to hit theaters  is a pretty ingenious idea. As an adolescent girl facing the major life change of moving to a new city finds herself on an emotional rollercoaster, we go inside her head to see those emotions personified in the form of Joy (Poehler), Anger (Black), Disgust (Kaling), Fear (Hader) and Sadness (Smith, from The Office). That’s some inspired casting right there. This sounds like the perfect Pixar movie to me, something that will see the studio do what it does best: tell a universal story in a world related to but separate from our own, with plenty of fodder for humor but also a genuinely touching throughline. My expectations are high.

4.
JOY
Director: David O. Russell
Writers: David O. Russell, Annie Mumolo
Cast: Jennifer Lawrence, Bradley Cooper, Robert De Niro, Diane Ladd, Virginia Madsen, Édgar Ramiriez, Elisabeth Röhm, Isabella Rossellini
Release Date: December 25

It’s not so much that this particular story excites me as it is that anything David O. Russell does these days excites me. With Joy, he re-teams with Lawrence, Cooper and De Niro for his third time in a row to tell the story of Joy Mangano, a Long Island housewife, single mother and aspiring inventor who struck gold with the creation of the Miracle Mop. Russell co-wrote the script with Annie Mumolo, who penned Bridesmaids with Kristen Wiig, and her comedic voice should nicely complement Russell’s, yielding a quirky biopic in the vein of Ed Wood and The People vs. Larry Flynt.

3.
STEVE JOBS

Director: Danny Boyle
Writer: Aaron Sorkin
Cast: Michael Fassbender, Jeff Daniels, John Ortiz, Seth Rogen, Michael Stuhlbarg, Katherine Waterston, Kate Winslet
Release Date: October 9

Another biopic, but another one that promises to be unconventional. Based on Walter Isaacson’s best-selling book about the Silicon Valley titan, Aaron Sorkin’s script is structured as just three lengthy scenes, each one taking place backstage at a seminal Apple product launch before Jobs steps in front of the curtain. Sorkin’s script is said to be a massive 181 pages (though earlier descriptions from the writer have described it as more along the lines of 90, so who knows) and as the set-up suggests, it will be extremely dialogue-heavy. No problem there. Sorkin’s dialogue, although self-plagiarized from time to time, can always be counted on to delight the ear.

I surprise myself that the movie places so high on my list, but when I crunched the numbers, did some computer models and ran it all by the boys in the lab, this is where it landed. Prime placement considering my disappointment that the original incarnation of the project fell apart. It was initially shaping up to reunite Sorkin with his Social Network director David Fincher, who wanted Christian Bale to play Jobs. I was over the moon at the thought of that line-up. Unfortunately, Fincher left the project, apparently because the studio (Sony, at the time; it’s since moved to Universal) wouldn’t meet his demands for salary and creative control. Trainspotting and Slumdog Millionaire director Danny Boyle came aboard, and courted Leonardo DiCaprio (great actor, but totally the wrong look), who opted to make The Revenant instead. Then Bale officially boarded, only to depart a short time later, stating that he didn’t feel he had a handle on the character. Sorkin championed Tom Cruise (could have been great), while the studio considered the usual A-list suspects regardless of whether they seemed right for the part (Matt Damon, Ben Affleck, Bradley Cooper). In the end, the part went to the versatile Fassbender.

I can’t help but be let down that it didn’t pan out with Fincher and Bale. Not for nothing though, the combination of Sorkin and Boyle is intriguing in its own right. Boyle’s movies are high-energy, lots of editing…there’s a thumping beat to his work that seems contrary to a project that will feature only three extended sequences and limited locations, so seeing how he approaches such unlikely material will be fun. And while Bale seemed like the perfect guy to take on Jobs, Fassbender is no slouch. I have every confidence he will give a performance worthy of such a fascinating figure. Apple’s slogan in the late 90’s was “Think Different.” Looks like with this unusual approach, that’s just what these filmmakers are going for. If they don’t end up doing a big thing badly, it could really be quite something. And you know it.

2.
THE HATEFUL EIGHT
Director/Writer: Quentin Tarantino
Cast: Zoe Bell, Demián Bichir, Bruce Dern, Walton Goggins, Samuel L. Jackson, Jennifer Jason Leigh, Michael Madsen, James Parks, James Remar, Tim Roth, Kurt Russell, Channing Tatum
Release Date: TBA

Tarantino’s latest almost died on the vine. After completing the first draft of his script, he handed copies to six people, including actors Dern, Roth and Madsen, and one of his Django Unchained producers. Apparently one of them showed the script to their agent, and soon enough it had leaked online. The director was none too pleased about this, and decided to abandon the film, saying he might revisit it a few years down the road, and would perhaps publish it as a novel instead of filming it. He even sued Gawker for enabling wider dissemination of the script, though the lawsuit was dismissed by the court. Tarantino then staged a live read of the script at Los Angeles County Museum of Art, with an all-star cast of actors, (most of whom will reprise their roles in the film). Sometime between the leak and the live read however, Tarantino revised the script (the leaked version had only been his first pass) and decided to make the movie after all. The live read featured the initial draft, which is not the same version that will ultimately be filmed.

So that’s the behind the scenes drama. What can we expect for on-screen drama? The Western takes place in Wyoming a few years after the Civil War, and focuses on two bounty hunters escorting a female prisoner to her trial when a blizzard descends, forcing them to take shelter in a haberdashery. During their stop, they encounter a number of unsavory characters, some of whom may pose a threat to their assignment. I don’t think I’m going out on a limb to assume that tensions will mount, blood will be spilled, and a lot of tough-guy dialogue will be chewed with gusto. With the exception of Bichir, Leigh and Tatum, all the players here have worked with QT before…and since Roth, Madsen and Dern are still involved, there must be no hard feelings about that script leak.

1.
STAR WARS EPISODE VII: THE FORCE AWAKENS

Director: J.J. Abrams
Writers: Michael Arndt, Lawrence Kasden, J.J. Abrams
Cast: Mark Hamill, Harrison Ford, Carrie Fisher, John Boyega, Oscar Isaac, Daisy Ridley, Kenny Baker, Gwendoline Christie, Anthony Daniels, Warwick Davis, Adam Driver, Domnhall Gleeson, Peter Mayhew, Lupita Nyong’o, Andy Serkis, Max von Sydow
Release Date: December 18

I mean…come on. Was there even a question?

August 24, 2014

Emmy Nominations 2013-14: Reaction Mishmash

Filed under: Emmys,TV — DB @ 9:45 am
Tags: , , , , , , ,

The Emmy Awards are upon us, and once again this year’s crop of nominees reminds us that there is an astonishing level of quality across today’s television landscape…if it can even still be referred to as television now that online entities like Netflix, Amazon and Hulu are presenting original programming. Unfortunately, it tends to be what isn’t nominated that serves as the reminder, for no matter what makes the cut, there remains so much great work that is left out. As I say every year, there is simply too much good work out there for all of it to receive the celebration it deserves come Emmy season. But that doesn’t stop TV critics and avid watchers from sounding off anyway. For the past couple of years I’ve offered a slate of write-ups for work that stood out to me as nomination worthy but went unrecognized. I really need to work on those throughout the season, while the shows are fresh in my mind, but I dropped the ball this year. Still, I have thoughts on what was and wasn’t nominated, and I’ll be damned if I’m just going to keep them to myself. I’m a blogger! So here’s a down-and-dirtier version of this annual post. I’m not making predictions here; the Emmys are far too erratic and offbeat for me to apply my Oscar mojo. This is just a rundown of the nominees, accompanied by thoughts and opinions where I have them. Maybe I’ll get my act together next year. Until then….

 

OUTSTANDING COMEDY SERIES
The Big Bang Theory
Louie
Modern Family
Orange Is The New Black
Silicon Valley
Veep

Thoughts: As entertainment award travesties go, the annual omission of Parks and Recreation is one for the books. How does this show get passed over year after year after year? With all respect to the fine Modern Family, Parks and Rec dances circles around it. It’s more ambitious in its storytelling, it develops its characters with greater depth and it continues to offer surprises each season while Modern Family and other shows just do more of the same…even if they do it well. And on top of all that, it’s hilarious and still has the best comedic ensemble on TV right now. I don’t watch The Big Bang Theory, but I’d bet it too falls short of Parks and Recreation in almost every metric.

On the upside, it’s nice to see Silicon Valley land a nomination for its debut season. The show came out of the gate strong and never faltered. I have yet to get around to Orange is the New Black, but by all accounts it’s a true original and a deserving nominee…if not necessarily the right fit for this category.

OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES
Lena Dunham – Girls
Edie Falco – Nurse Jackie
Melissa McCarthy – Mike & Molly
Julia Louis-Dreyfus – Veep
Amy Poehler – Parks and Recreation
Taylor Schilling – Orange is the New Black

Thoughts: At least Amy Poehler got some love for Parks and Rec, though the fact that she hasn’t won yet is every bit as scandalous as the show itself not being nominated. Yes, we all adore Julia Louis-Dreyfus, but she’s got plenty of Emmys at this point, and while her work on Veep is excellent, the character doesn’t have the range of Poehler’s Leslie Knope. She won her first Golden Globe for the role in January. Perhaps this will finally be her year at the Emmys as well?

Also, how about getting some Mindy Kaling up in this joint?

X
OUTSTANDING LEAD ACTOR IN A COMEDY SERIES

Louis C.K. – Louie
Don Cheadle – House of Lies
Ricky Gervais – Derek
Matt LeBlanc – Episodes
William H. Macy – Shameless
Jim Parsons – The Big Bang Theory

Thoughts: Ricky Gervais’ nomination for the Netflix series Derek is quite the surprise. The series hasn’t garnered the acclaim or noteriety of The Office or even Extras, so it’s a testament to Gervais’ appeal that he made the cut over more widely predicted people like Brooklyn Nine-Nine‘s Andy Samberg (who took the Golden Globe) and Silicon Valley’s Thomas Middleditch. I’m also giving a shout-out to the great Chris O’Dowd, who was a real joy as the lead in Christopher Guest’s mellow HBO comedy Family Tree.

As for the win, I gotta go with Louis C.K.

OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES
Mayim Bialik – The Big Bang Theory
Julie Bowen – Modern Family
Anna Chlumsky – Veep
Allison Janney – Mom
Kate McKinnon – Saturday Night Love
Kate Mulgrew – Orange is the New Black

OUTSTANDING SUPPORTING ACTOR IN A COMEDY SERIES
Fred Armisen – Portlandia
Andre Braugher – Brooklyn Nine-Nine
Ty Burrell – Modern Family
Adam Driver – Girls
Tony Hale – Veep
Jesse Tyler Ferguson – Modern Family

Thoughts: Can someone explain to me how Fred Armisen is a Supporting Actor on Portlandia? He’s the co-lead and co-creator of the show. He doesn’t belong here, especially at the expense — yet again — of any member of the Parks and Recreation crew. Nick Offerman remains the show’s most egregiously overlooked cast member, but Chris Pratt, Aziz Ansari and Adam Scott are plenty deserving.

Silicon Valley also boasts an impressive group of supporting players, any of whom — T.J. Miller, Martin Starr, Kumail Nanjiani, Zach Woods or the late Christopher Evan Welch — would have been welcome additions here.

Returning nominees Adam Driver, Tony Hale and Ty Burrell all deserve a place once again, and Andre Braugher is a welcome addition for his deadpan precinct captain. His co-star Joe Lo Truglio would have been deserving too…though again, neither outshine the men of Parks and Rec. I really don’t get the Emmy’s aversion to that show.

I would love to see Driver take this. Reigning champ Hale is terrific, but Adam Driver is one of the most exciting actors anywhere right now. His work on Girls has been remarkable from day one, and he continues to take his character in fascinating and unexpected new directions.

X
OUTSTANDING GUEST ACTRESS IN A COMEDY SERIES

Uzo Aduba – Orange is the New Black
Laverne Cox – Orange is the New Black
Joan Cusack – Shameless
Tina Fey – Saturday Night Live
Natasha Lyonne – Orange is the New Black
Melissa McCarthy – Saturday Night Live

The Guest Performer Emmys were handed out last weekend at the Creative Arts ceremony, and the prize went to Uzo Aduba. As I mentioned above, I have yet to see Orange is the New Black, but even I’m aware of her breakout character Crazy Eyes.

OUTSTANDING GUEST ACTOR IN A COMEDY SERIES
Steve Buscemi – Portlandia
Louis C.K. – Saturday Night Live
Gary Cole – Veep
Jimmy Fallon – Saturday Night Live
Nathan Lane – Modern Family
Bob Newhart – The Big Bang Theory

Thoughts: Another Parks and Recreation omission: is it not far past the time to recognize Ben Schwartz for his hilarious recurring work as Jean-Ralphio Saperstein? This is a show that has done such a phenomenal job of building up a roster of recurring characters to fill out the town of Pawnee, and none are funnier or more well-honed than hipster doofus Jean-Ralphio. His impact on the show has been significant enough that the creators gave him an equally hilarious sister Mona Lisa (Jenny Slate) and this past year introduced Henry Winkler as their father. Given how this show has been passed over by Emmy voters across the board, I can hardly expect Schwartz to be singled out. But he sure deserves it.

All that aside, the winner was Jimmy Fallon.

X
OUTSTANDING WRITING FOR A COMEDY SERIES

David Crane, Jeffrey Klarik – Episodes (Episode 305)
Louis C.K. – Louie (So Did the Fat Lady)
Liz Friedman, Jenji Kohan – Orange is the New Black (I Wasn’t Ready – Pilot)
Alec Berg – Silicon Valley (Optimal Tip-To-Tip Efficiency)
Simon Blackwell, Tony Roche, Armando Iannucci – Veep (Special Relationship)

Thoughts: Cheers to the voters for nominating the season finale of Silicon Valley, which featured one of the funniest sequences I saw anywhere all year: a serious discussion amongst software engineers about how one of them could theoretically jerk off 800 men in ten minutes. This was inspired. The best part is that, as with much of the show’s shop talk, the concept had to be worked out with the help of a legitimate engineering genius — 27 year-old MIT grad Vinith Misra. While discussing his work as an advisor to the show in this interview, he mentioned that his tasks included “performing a detailed mathematical analysis in support of a penis joke.” Fantastic.

X
OUTSTANDING DIRECTING FOR A COMEDY SERIES

Iain B. MacDonald – Episodes (Episode 309)
Paris Barclay – Glee (100)
Louis C.K. – Louie (Elevator, Part 6)
Gail Mancuso – Modern Family (Vegas)
Jodie Foster – Orange is the New Black (Lesbian Request Denied)

X
OUTSTANDING DRAMA SERIES

Breaking Bad
Downton Abbey
Game of Thrones
House of Cards
Mad Men
True Detective

Thoughts: Although I don’t watch The Good Wife, I gathered that it had a strong season. I couldn’t escape the news of a major cast member’s dramatic exit, so it’s surprising that the buzz didn’t translate into a nomination. Much as I enjoy Downton Abbey, I’m not sure if it belongs here when other acclaimed shows like Good Wife, The Americans, or Masters of Sex were shut out. The Bridge had an impressive debut run too. It would also be nice to see more genre shows join Game of Thrones. Neither The Walking Dead nor Bates Motel have Thrones’ prestige factor, but both are coming off high-quality seasons. And Hannibal is not only riveting, but one of the most visually arresting shows on the air. Also, I have to say, True Blood bounced back in a big way last year.

I’d like to think this will be the year that Game of Thrones triumphs, but it’s a tough call. It’s unanimously agreed that Breaking Bad’s final season completely nailed it, and might even have been the show’s best yet. But those episodes aired a year ago, and it may be too far out of mind to claim the prize for the second year in a row…though most fans of the show would say that only one Outstanding Drama Series win is not enough. True Detective is the big threat here. Fueled by the presence of Woody Harrelson and Matthew McConaughey, the show was highly anticipated and lived up to the potential. It was an instant hit — smart, engrossing and atmospheric. And it’s probably more in Emmy voters’ wheelhouse than Game of Thrones. One potential hiccup is that earlier this month, accusations surfaced that True Detective‘s creator Nic Pizzolatto plagiarized portions of the show’s dialogue. He and HBO have denied the charges, and the timing does seem suspicious. The show ended its run in March, but this story doesn’t hit until August, in the middle of the Emmy voting period? Sounds like the work of Tywin Lannister…

OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES
Lizzy Caplan – Masters of Sex
Claire Danes – Homeland
Michelle Dockery – Downton Abbey
Julianna Margulies – The Good Wife
Kerry Washington – Scandal
Robin Wright – House of Cards

Thoughts: Does Michelle Dockery really belong here? She does good work as Lady Mary, but in a crowded field, I can think of a few performances that have more going on than hers. How about Vera Farmiga, nominated last year for her wonderful work on Bates Motel? The Bridge’s Diane Kruger, might have been a more interesting choice as well. I don’t watch any of the following shows, but what I hear of Tatiana Maslany (Orphan Black), Keri Russell (The Americans), Connie Britton (Nashville), Katey Sagal (Sons of Anarchy) and the usually-nominated Elisabeth Moss (Mad Men) suggests that all are eminently Emmy worthy.

OUTSTANDING LEAD ACTOR IN A DRAMA SERIES
Bryan Cranston – Breaking Bad
Jeff Daniels – The Newsroom
Jon Hamm – Mad Men
Woody Harrelson – True Detective
Matthew McConaughey – True Detective
Kevin Spacey – House of Cards

X
Thoughts:
Poor Michael Sheen. The Masters of Sex star is always the bridesmaid to his co-stars. The Queen: Helen Mirren wins the Oscar, but he’s not nominated. Frost/Nixon: Frank Langella gets the Oscar nomination, Sheen is passed over. Now Lizzy Caplan is welcomed into the Emmy race for Masters while Sheen is yet again ignored. Perhaps he can take some consolation in the fact that as always, this is a jam-packed category. There’s really nobody here who doesn’t deserve their place. Some might say Jeff Daniels, who pulled off a surprise win last year, but critics and pundits just don’t like The Newsroom. Whatever they think of the show though, Daniels is terrific. Many expected James Spader to be a shoo-in for The Blacklist, and there were hopes that Matthew Rhys would find his way in for The Americans. But there can be only six.

Jon Hamm remains Emmy-less for Mad Men, which probably should be rectified at some point, but it’s unlikely to be this year. While Bryan Cranston could take it one final time for Breaking Bad, this award seems destined for McConaughey, who was spellbinding on True Detective. His first foray into series television further bolstered the hot streak that he’s been on in the movies. He’ll need some more shelf space to add all the True Detective awards he’s bound to win over the next six months to the swarm he already collected for Dallas Buyers Club. His next two projects are with Christopher Nolan and Gus Van Sant. Dude is crushing it.

OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES
Christine Baranski – The Good Wife
Joanne Froggatt – Downton Abbey
Lena Headey – Game of Thrones
Anna Gunn – Breaking Bad
Christina Hendricks – Mad Men
Maggie Smith – Downton Abbey

Thoughts: I’m always pleased by any recognition for the Game of Thrones cast, so I’m happy to see Lena Headey score her first nomination. I still say Maisie Williams is the cast’s most deserving female, but I’ll take what they give me.

I didn’t expect the Emmys to suddenly find room for The Walking Dead in a main category, but Melissa McBride certainly deserved a place here this year. McBride’s Carol has had the best character arc on the show, coming a long way from the meek, abused wife she was at the start to the badass warrior momma she is now, one of the toughest of the survivors, who makes difficult life or death decisions and then follows through, all for the greater good. Her evolution and do-what-needs-to-be-done attitude were crystallized in this season’s episode “The Grove,” which saw Carol execute her most heartbreaking decision yet. I had some issues with the how the story played out — I think the writing failed to explore the situation as fully as it needed to (and easily could have) before the ultimate solution was reached — but I have no issues with McBride’s performance. It was a textbook example of the kind of showcase episode that should earn an actor a nomination.

I also want to make a stand for Caitlin FitzGerald, from Masters of Sex. As the warm, supportive wife to Michael Sheen’s intense title character, FitzGerald had the challenge of taking a 1950’s housewife whose lot in life seems to be supporting her man, and turning her into a character who was, in her way, just as strong and compelling as Lizzy Caplan’s less conventional woman of the era. FitzGerald quickly evolved into my favorite character on the show, as I found myself looking forward to her scenes more than anyone else’s.

Lastly, while I can’t comment on Baranski, Gunn or Hendricks, I can say the category should have found room for The Newsroom’s Olivia Munn. Probably the least experienced of the show’s primary cast members when it debuted, she was strong from the start and does great work week in and week out. If she had been giving the same performance on The West Wing, she’d have been nominated.

X
OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES

Josh Charles – The Good Wife
Jim Carter – Downton Abbey
Peter Dinklage – Game of Thrones
Mandy Patinkin – Homeland
Aaron Paul – Breaking Bad
Jon Voight – Ray Donovan

Thoughts: Could sentiment be with Josh Charles, given his character’s high-profile departure from The Good Wife? Or will voters look to Aaron Paul one last time for Breaking Bad? No surprise, I’m rooting for Dinklage to win for a second time. His arc this season provided great material, both showy and subtle, and he was as stellar as ever. Unfortunately, he is once again the show’s sole representative. Several of his castmates could just as easily join him here, but all were overlooked. One particular absence stings because the character won’t be returning, and has been one of the standouts each year. I’m avoiding his name for spoilers sake, but those of you watching probably know who I mean. Frankly, if this entire category were comprised of Thrones actors,  it would be entirely justified.

Voters might also have considered Jeffrey Wright’s work on Boardwalk Empire. He was an excellent addition to the show, and a more interesting character than Bobby Cannavale’s Emmy-winning villain from the previous season.

OUTSTANDING GUEST ACTRESS IN A DRAMA SERIES
Kate Burton – Scandal
Jane Fonda – The Newsroom
Allison Janney – Masters of Sex
Kate Mara – House of Cards
Margo Martindale – The Americans
Diana Rigg – Game of Thrones

Thoughts: Kate Mara? Really? Nothing against her or her performance, but her arc on House of Cards was pretty brief this year. Does she really deserve this slot? Diana Rigg is so good on Game of Thrones, but she was in much less of the season this year than last. If she didn’t win then, it’s unlikely that she would now.

And she didn’t. The award went to Alison Janney, and that’s hard to argue with. Janney was heartbreaking as a wife and mother experiencing her sexual awakening as she learns that her husband — fellow nominee Beau Bridges — is not the man she thought he was.

OUTSTANDING GUEST ACTOR IN A DRAMA SERIES
Dylan Baker – The Good Wife
Beau Bridges – Masters of Sex
Reg E. Cathey – House of Cards
Paul Giamatti – Downton Abbey
Robert Morse – Mad Men
Joe Morton – Scandal

Thoughts: Pedro Pascal came into the crowded Game of Thrones cast and immediately carved himself a place of honor with a compelling portrayal of a revenge-minded prince. He seemed a shoo-in for recognition here. I mean, it was fun to see the great Paul Giamatti pop up on Downton Abbey, but I’d trade his one-episode appearance for Pascal’s pivotal season-long role in a heartbeat. It’s disappointing to see him passed over.

I’ve only seen half of these nominees — Giamatti, Bridges and Cathey. I’d have gone with Bridges’ wrenching turn as a married man grappling with his homosexuality. The scenes of his professional relationship — he plays Michael Sheen’s longtime friend and boss — are terrific, but the character’s personal struggles deepen the role and allow Bridges to do some beautiful work. Alas, the winner was Joe Morton (Miles Dyson, for all you Terminator 2 fans). Though I don’t watch Scandal, I’ve always liked Morton, so it’s nice to see a working actor like him get some recognition.

OUTSTANDING WRITING FOR A DRAMA SERIES
Moira Walley-Beckett – Breaking Bad (Ozymandias)
Vince Gilligan – Breaking Bad (Felina)
David Benioff, D.B. Weiss – Game of Thrones (The Children)
Beau Willimon – House of Cards (Chapter 14)
Nic Pizzolatto – True Detective (The Secret Fate of All of Life)

X
OUTSTANDING DIRECTING FOR A DRAMA SERIES

Tim Van Patten – Boardwalk Empire (Farewell Daddy Blues)
Vince Gilligan – Breaking Bad (Felina)
David Evans – Downton Abbey (Episode 1)
Neil Marshall – Game of Thrones (The Watchers on the Wall)
Cary Joji Fukunaga – True Detective (Who Goes There)

Thoughts: Without having seen the Breaking Bad episodes, I have no doubt both were expertly crafted. And the nominated episode of True Detective got a lot of attention for its lengthy tracking shot that moved in and out of several houses as it followed McConaughey’s character on an undercover assignment gone bad. But how can anything here compare to the directorial challenges and superb execution of the battle for Castle Black on Game of Thrones? The extensive use of visual effects to create so much of the surroundings, the multiple storylines playing out within the limited location, the ability to make it all look so impressive and cinematic on a TV budget. This is the first directing nomination Thrones has received in three seasons, and its omission from the past two years is absurd. It deserves the award not just for this episode, but as compensation for past mistakes.

X
OUTSTANDING MINISERIES

American Horror Story: Coven
Bonnie & Clyde
Fargo
Luther
Treme
The White Queen

Thoughts: American Horror Story is always a force to be reckoned with, but Fargo was the buzzy critic’s darling this year, and accomplished the impressive feat of standing on its own in the shadow of a classic piece of contemporary cinema. I wasn’t totally sold on it at first, but it grew on me steadily as it went along, and I still find myself thinking about it. I’ll definitely have to revisit it eventually.

OUTSTANDING TELEVISION MOVIE
Killing Kennedy
Muhammad Ali’s Greatest Fight
The Normal Heart
Sherlock: His Last Vow
The Trip to Bountiful

OUTSTANDING LEAD ACTRESS IN A MINISERIES OR MOVIE
Helena Bonham Carter – Burton and Taylor
Minnie Driver – Return to Zero
Jessica Lange – American Horror Story: Coven
Sarah Paulson – American Horror Story: Coven
Cicely Tyson – The Trip to Bountiful
Kristen Wiig – The Spoils of Babylon

Thoughts: How awesome is it to see Kristin Wiig sneak into this line-up for her performance in the absurd comedic series The Spoils of Babylon? This show was totally ridiculous, and totally hilarious. Not everyone’s style of comedy, I’m sure, but for those who appreciated what they were going for, it was lots of fun, and Wiig was aces.

OUTSTANDING LEAD ACTOR IN A MINISERIES OR MOVIE
Benedict Cumberbatch – Sherlock: His Last Vow
Chiwetel Ejiofor – Dancing on the Edge
Idris Elba – Luther
Martin Freeman – Fargo
Mark Ruffalo – The Normal Heart
Billy Bob Thornton – Fargo

Thoughts: The delightful ubiquity of Martin Freeman is evident in the fact that half his fellow nominees are actors he’s worked with. He’s joined here by his Fargo co-star Thornton, as well as his Sherlock and The Hobbit pal Cumberbatch. Plus he and Ejiofor were both in Love, Actually. But they had no scenes together, so maybe that doesn’t count? You decide.

Jesus, this is a strong line-up. Tough, tough call.

OUTSTANDING SUPPORTING ACTRESS IN A MINISERIES OR MOVIE
Angela Bassett – American Horror Story: Coven
Kathy Bates – American Horror Story: Coven
Ellen Burstyn – Flowers in the Attic
Frances Conroy – American Horror Story: Coven
Julia Roberts – The Normal Heart
Alison Tolman – Fargo

Thoughts: No surprise that this category is dominated by ladies of American Horror Story. Bassett, Bates and Conroy were all fantastic. The former two especially, had probably the best roles they’ve had in ages thanks to Ryan Murphy and his team, who can always be counted on to create roles that actresses can tear into. It’s no wonder they signed on to return for the upcoming season, American Horror Story: Freak Show. It will be a challenge to choose between them. So maybe the voters won’t, going instead for Allison Tolman’s wonderful breakout turn in Fargo.

OUTSTANDING SUPPORTING ACTOR IN A MINISERIES OR MOVIE
Matt Bomer – The Normal Heart
Martin Freeman – Sherlock: His Last Vow
Colin Hanks – Fargo
Joe Mantello – The Normal Heart
Alfred Molina – The Normal Heart
Jim Parsons – The Normal Heart

Thoughts: This category is kind of a slap in the face to Taylor Kitsch. He was the only main cast member of The Normal Heart to be overlooked, and he was just as good as everyone else. He certainly had a bigger role than Joe Mantello, but Mantello had something that Kitsch unfortunately didn’t: a showstopping scene in which he took center stage and was allowed to fly. He was basically nominated for that one scene. All the other cast members had at least one standout moment like that. Kitsch’s character didn’t, and it probably cost the actor a nomination.

OUTSTANDING WRITING FOR A MINISERIES, MOVIE OR DRAMATIC SPECIAL
Brad Falchuk – American Horror Story: Coven (Bitchcraft)
Noah Hawley – Fargo (The Crocodile’s Dilemma)
Neil Cross – Luther
Larry Kramer – The Normal Heart
Steven Moffatt – Sherlock: His Last Vow
David Simon, Eric Overmeyer – Treme (…To Miss New Orleans)

X
OUTSTANDING DIRECTING FOR A MINISERIES, MOVIE OR DRAMATIC SPECIAL

Alfonso Gomez-Rejon – American Horror Story: Coven (Bitchcraft)
Adam Bernstein – Fargo (The Crocodile’s Dilemma)
Colin Bucksey – Fargo (Buridan’s Ass)
Stephen Frears – Muhammad Ali’s Greatest Fight
Ryan Murphy – The Normal Heart
Nick Hurran – Sherlock: His Last Vow

OUTSTANDING VARIETY SERIES
The Colbert Report
The Daily Show with Jon Stewart
Jimmy Kimmel Live
Real Time with Bill Maher
Saturday Night Live
The Tonight Show Starring Jimmy Fallon

Thoughts: The golden of age of television we continue to find ourselves in is not limited to fictional series. The late night field is also full of gems, as evidenced by how strong this category is. Saturday Night Live is always going to be hit or miss, but the rest of these shows are just great. Conan could easily be here too, as could some of the other shows which pop up in the Writing category below (despite the list of nominees, this isn’t actually a late night category). Last Week with John Oliver probably debuted too late in the season to qualify, but its chances next year are looking great. Strong as all of these shows are though, none of them equal the satirical brilliance of The Colbert Report, which finally won this award last year after a record-setting 10 years of domination by The Daily Show.

OUTSTANDING WRITING FOR A VARIETY SERIES
The Colbert Report
The Daily Show with Jon Stewart
Inside Amy Schumer
Key & Peele
Portlandia
The Tonight Show Starring Jimmy Fallon

X
OUTSTANDING ANIMATED PROGRAM

Archer (Archer Vice: The Rules of Extraction)
Bob’s Burgers (Mazel Tina)
Futurama (Meanwhile)
South Park (Black Friday)
Teenage Mutant Ninja Turtles: The Manhattan Project

Thoughts: Much was made of the fact that for the first time in 23 years, The Simpsons wasn’t nominated. The consenus may be that the show is long past its prime, but I still probably laugh harder and more often during a Simpsons episode than I do at any other series. Now maybe Teenage Mutant Ninja Turtles is good…but better than The Simpsons? I seriously doubt it.

X

I’m looking forward to seeing how it all shakes out. Seth Meyers hosts the show, which airs tomorrow night, Monday, August 25, on NBC. Go Amy Poehler and Game of Thrones!

And now I leave you with another classic moment of Emmy past.

 

March 14, 2014

30 Movies I’m Looking Forward to in 2014

Filed under: Movies — DB @ 12:00 pm
Tags: , ,

I know that I keep raising the number of movies on this list each year, but I suppose that given the point I made in my best of 2013 post about how many movies are released every year and how many I see, 30 isn’t such a big number. The list below doesn’t even include the two holdovers from last year’s list that ended up getting pushed: Sin City: A Dame to Kill For (out August 22), and Foxcatcher (release TBA), a true life drama from Capote and Moneyball director Bennett Miller in which Steve Carell goes against type as the paranoid schizophrenic millionaire who sponsored the training of U.S. Olympic wrestlers Dave and Mark Schultz, with tragic results. The list also excludes Knight of Cups, the next movie from Terrence Malick that seems likely to show up this year, though you never really know with Malick. Its large cast is supposed to include Natalie Portman, Christian Bale and Cate Blanchett, but by the time he finishes editing it, it might feature just a bunch of trees and rocks and fields of tall grass. Hopefully it will show up at Cannes or one of the fall film festivals and get picked up for distribution in 2015.

Anyway, enough about what isn’t on the list. Let’s get to what is. I wanted to have this posted a few weeks ago, since by now one of the movies included has already opened. But I couldn’t get to it in time, and since I haven’t yet seen the movie in question, it still qualifies as one I’m looking forward to.

30.
THE HOMESMAN
Director: Tommy Lee Jones
Writers: Tommy Lee Jones, Kieran Fitzgerald, Wesley A. Oliver
Cast: Tommy Lee Jones, Hilary Swank, Meryl Streep, Barry Corbin, David Dencik, William Fichtner, Grace Gummer, Evan Jones, John Lithgow, Tim Blake Nelson, Miranda Otto, Jesse Plemons, James Spader, Hailee Steinfeld
Release Date: TBA

Jones, a Texas native with a natural affinity for and understanding of the American West, pulls triple duty as director, co-writer and star of this story about Mary Bee Cuddy (Swank), a strong-willed woman in the 1850’s who teams up with a claim jumper (Jones) to escort a group of supposedly insane women across the plains from Nebraska to a sanitarium in Iowa. It seems like an intriguing premise, offering some rewarding roles for a range of talented actresses.

29.
A MOST WANTED MAN
Director: Anton Corbijn
Writer: Andrew Bovell
Cast: Philip Seymour Hoffman, Daniel Brühl, Willem Dafoe, Rachel McAdams, Robin Wright, Martin Wuttke
Release Date: TBA

One of the final leading roles we’ll get to see the gifted Philip Seymour Hoffman play will be in this adaptation of the John le Carré novel about a half-Chechen, half-Russian immigrant who arrives illegally in Germany and arouses the interest of both the American and German governments when he lays claim to a fortune held in a private bank. I’m sure it will be more interesting than it sounds. Corbijn, best known as a photographer whose work includes the album art for U2’s The Joshua Tree and R.E.M.’s Automatic for the People, is quietly building a strong reputation as a director; I enjoyed his gripping 2010 thriller The American, which starred George Clooney as an assassin on assignment in Italy. Like most of le Carré’s work, this one deals with international espionage, and will hopefully offer a meaty story to be chewed on by this fine cast…and by the audience; I’m still trying to puzzle out what the hell happened in the recent Gary Oldman-starring adaptation of le Carré’s Tinker Tailor Soldier Spy. If nothing else, this will be a chance to savor new work from Hoffman…a prize that is sadly more valuable than ever.

X
28.

WILD
Director: Jean-Marc Vallée
Writer: Nick Hornby
Cast: Reese Witherspoon, W. Earl Brown, Laura Dern, Brian Van Holt, Gaby Hoffman, Kevin Rankin, Thomas Sadoski
Release Date: TBA

Reese Witherspoon seems to be taking a cue from her Mud co-star and attempting a McConaissance of her own. Since the critical and box office failure of her last romantic comedy, This Means War, she’s been choosing more interesting projects that, when taken together, may be a reminder of what a fine actress she is. In addition to Mud, she’s completed filming Devil’s Knot, a fictionalized account of the Robin Hood Hills murders that have been so exhaustively explored in the Paradise Lost documentaries; and The Good Lie, in which she plays a woman who takes in four young Sudanese refugees. She’s also in the #2 movie on this list, which could offer a chance to keep her comedic skills sharp while still working with high quality material (as opposed to, let’s say, Four Christmases). Wild, however, could be the one that brings the Oscar-winning actress back to the awards circuit. Adapted from the memoir by Cheryl Strayed and directed by (fittingly, perhaps) Dallas Buyers Club helmer Jean-Marc Vallée, Witherspoon will play a woman who impulsively decides to hike the Pacific Crest Trail on her own, without any wilderness or hiking experience. With The Young Victoria and Dallas Buyers Club under his belt, Vallée is fast becoming a director to watch, and I’m excited to see Witherspoon front and center in a role that stands to demonstrate her range.

27.
CHEF
Director/Writer: Jon Favreau
Cast: Jon Favreau, Bobby Cannavale, Robert Downey Jr., Dustin Hoffman, Scarlett Johansson, John Leguizamo, Oliver Platt, Amy Sedaris, Garry Shandling, Sofia Vergara
Release Date: May 9

Jon Favreau has become so well-known for directing big movies like Iron Man and Cowboys & Aliens that it would be easy to forget his roots are in small independent films, as the writer and star of Swingers. He returns to lower budget, more character driven filmmaking with his newest project, in which he plays a chef who gains fame at a Los Angeles restaurant, only to have his success evaporate after a string of personal and professional disappointments. He ends up restoring an old food truck and getting back to his roots, while also reconnecting with his family. I’ve always enjoyed Favreau as both a director (yes, I even liked Cowboys & Aliens) and an actor, though his on-camera appearances have mostly been brief as his directing career has flourished. Seeing him take on a leading role once again, in a smaller scale movie with a tasty cast, should be fun.

26.
EXODUS
Director: Ridley Scott
Writers: Bill Collage, Adam Cooper, Steven Zaillian
Cast: Christian Bale, Hiam Abbass, Joel Edgerton, Emun Elliott, Ben Kingsley, Ben Mendelsohn, Aaron Paul, John Turturro, Indira Varma, Sigourney Weaver
Release Date: December 12

Spoiler Alert: So there are these people in Egypt called the Israelites, and the Pharoah Ramses enslaves them and makes them build his pyramids and shit. But there’s this guy Moses, see, and he’s an Israelite too, but he’s been secretly raised as an Egyptian. One day, he sees an Egyptian beating a Jew. He kills the guy, flees the country, and eventually sees a bush on fire, but the bush is actually God, who tells Moses to go back to Egypt and free the Israelites, which he does, but not before God unleashes ten plagues on Egypt. Moses leads his people out of Egypt to the Promised Land, and along the way the Red Sea is parted and God delivers Ten Commandments to the Israelites. Because of all this, every year there’s a week in April when your Jewish friends can’t go get pizza with you because they’re not allowed to eat anything except matzoh and macaroons. This movie, from the director of Alien, Blade Runner, Thelma & Louise and Kingdom of Heaven, will cover at least some of this. Starring Batman, Gandhi, Ripley and Jesse Pinkman. It’s biblical, bitch!

25.
THE JUDGE
Director: David Dobkin
Writers: Bill Dubuque, Nick Schenck, David Seidler
Cast: Robert Downey Jr., Robert Duvall, Vera Farmiga, Vincent D’Onofrio, Balthazar Getty, Ken Howard, David Krumholtz, Melissa Leo, Leighton Meester, Dax Shepard, Jeremy Strong, Billy Bob Thornton, Grace Zabriske
Release Date: October 10

I recall reading somewhere that after the box office disappointment of the 2009 drama The Soloist, Robert Downey Jr.’s wife and business partner, producer Susan Downey, insisted that he stick to high concept material and franchises. I don’t know if this was true or just Hollywood gossip, but as much as I love Downey Jr. as Tony Stark, I’ve wished he would balance such roles with more grounded material. Since then, the only movie he’s made outside of the Iron Man and Sherlock Holmes series was the bad, lazy comedy Due Date. So because it promises a more down to earth Downey, I’m looking forward to The Judge, in which he plays a lawyer who returns to his small hometown for his mother’s funeral and finds out that his father (Duvall), the local judge, is suspected of killing her.

The director, David Dobkin, is known for comedies like Wedding Crashers, Fred Claus and The Change-Up, and when a director primarily known for broad comedies or action tries to stretch into more dramatic material, it doesn’t usually go well. The Judge has been described as a dramedy, so there should be some comedic elements, but still…with Dobkin at the helm, my expectations are tempered. I really like the cast though, and I’m hoping that this is a showcase role for Downey that reminds us how much he’s capable of outside the franchise machine. I’m especially excited about the promise of him and Farmiga working together; that seems like a great pairing.

24.
NOAH
Director: Darren Aronofsky
Writers: Darren Aronofsky, Ari Handel
Cast: Russell Crowe, Douglas Booth, Jennifer Connelly, Marton Csokas, Kevin Durand, Anthony Hopkins, Frank Langella, Logan Lerman, Mark Margolis, Nick Nolte, Emma Watson, Ray Winstone
Release Date: March 28

When this project first came to my attention, I was skeptical: a Noah movie without Bill Cosby? That didn’t sit right. But I felt Darren Aronofsky deserved the benefit of the doubt, so I went with it. I imagined the director’s take on the biblical story would involve Noah slowly going mad from cabin fever as the flood waters rage, causing him to question what’s real and what isn’t as he and the animals onboard the ark form alliances and animosities. Meanwhile, his wife starves herself in an effort to fit into an old tunic, and is eventually reduced to providing entertainment for the animals by sitting back-to-back with a female chimp as they both endure anal penetration from opposing ends of a sex toy, the raging lightning outside the ark creating a strobe effect through the slats of wood to give the whole scene an even more sickening effect. I could see the arrival of the trailer, which would open with a booming voice declaring, “The imagination of Darren Aronofsky meets the word of GOD” and close with “From the Divine Creator of the Universe….and the director of Black Swan.” Then just a few months ago, I saw the actual first trailer as well as the teaser poster, which presented the movie as if Noah was the newest member of The Avengers. I would probably have been laughing derisively at both, but once again I choose to remain open-minded. As Noah put his faith in the Lord, so shall I put mine in Darren Aronofsky.

As the movie approaches, so does the controversy, with Paramount twisting itself in knots trying to make sure the movie — which is said to feature countless creative flourishes and embellishments — doesn’t offend religious audiences who expect to see the story of Noah told faithfully and respectfully. I wonder if they’ve seen Requiem for a Dream.

Sidenote: the film marks a whole bunch of reunions. Aronofsky and Connelly are together again after Requiem, and Connelly and Crowe are back as husband and wife after A Beautiful Mind. Crowe, Lerman and Durand appeared together in 3:10 to Yuma, and Durand worked with Crowe again in Robin Hood. Lerman and Watson were together in The Perks of Being a Wallflower, and while Nick Nolte is only providing a voice here, he and Connelly previously crossed paths in Hulk. Hopkins and Winstone got their motion capture on with Beowulf, and Winstone appeared with Lerman in Percy Jackson & the Olympians: The Lighting Thief, as well as with Douglas Booth in a recent Masterpiece Theatre production of Great Expectations. I guess when God is about to destroy the world, it’s good to be among friends.

So let’s see…we’ve got Russell Crowe in Noah and Christian Bale in Exodus…maybe these two movies should have been combined into one dusty epic called 3:10 to Jerusalem.

X
23.

THIS IS WHERE I LEAVE YOU
Director: Shawn Levy
Writer: Jonathan Tropper
Cast: Jason Bateman, Connie Britton, Rose Byrne, Adam Driver, Tina Fey, Jane Fonda, Kathryn Hahn, Timothy Olyphant, Ben Schwartz, Dax Shepard, Abigail Spencer, Corey Stoll
Release Date: September 12

Jonathan Tropper adapts his own best-selling novel about the Foxman family, a (surprise!) dysfunctional clan (is there any other kind?) who must spend a week together sitting shivah after the death of the family patriarch. For you gentiles out there, sitting shivah is the Jewish custom in which the immediate family of the deceased gather at home for the week following the burial to receive visitors. Bateman’s character is the novel’s central figure and narrator, with Fey, Stoll and Driver as his siblings and Fonda as their mother. (Stoll is the only Jew among those actors, interestingly.) Dysfunctional family stories are always great fodder for drama, and I expect this terrific cast will expertly deliver on the humor of the family’s dynamic.

My reservation about the movie is similar to the one I mentioned above about The Judge. Shawn Levy is a capable but unexciting director whose movies include the Night at the Museum series, Date Night, The Internship, Real Steel and The Pink Panther remake. Some of those are entertaining enough and some are certainly box office hits, but they’re all safe, mass-appeal studio fare that could have been made by a dozen other directors with the exact same results. Although I haven’t read Tropper’s book, I gather that it has some bite to it, and I worry that Levy will push it to the middle of the road. But I can’t help being excited to see it; I love a good messed-up family story, and the cast is first-rate.

22.
JANE GOT A GUN

Director: Gavin O’Connor
Writer: Brian Duffield
Cast: Natalie Portman, Joel Edgerton, Noah Emmerich, Ewan McGregor, Rodrigo Santoro
Release Date: August 29

This is one of those movies which stands to be overshadowed by the drama that unfolded behind the scenes. Portman plays a woman forced to enlist the help of an ex-lover to protect her gravely injured outlaw husband from a gang trying to kill him. Her former paramour was originally to be played by Michael Fassbender, but he had to drop out a week before production due to scheduling conflicts with X-Men: Days of Future Past. Joel Edgerton, who was set to play the villainous gang leader, was recast as the ex-lover, and Jude Law came onboard to play the bad guy. Then on the Monday that was to be the first day of shooting, director Lynne Ramsay didn’t show up. The acclaimed indie director whose last film, We Need to Talk About Kevin, garnered strong reviews and several award nominations for Tilda Swinton, had abandoned the project over the weekend, apparently due to last-minute negotiation disagreements. Determined to keep the cast and crew together and forge ahead, the producers (who include Portman) managed within two days to hire Gavin O’Connor, director of Miracle and the underrated Warrior, to replace Ramsay. Then Jude Law left the project, supposedly because working with Ramsay was what drew him to it in the first place. Bradley Cooper was hired to replace Law, but he too left within days, also citing a scheduling conflict. Ewan McGregor came onboard to fill the gap, and shooting finally began. Some of the producers — Portman not among them — sued Ramsay in November, at which time she made her only public comments about the fiasco: that the allegations against her, which included showing up to work under the influence of alcohol and being abusive to crew members, were untrue, and that she would respond in court rather than in the press. Just this week, the lawsuit was settled.

So that all happened. It’s a dramatic saga that itself might form the basis for a movie. But in the end, all that will matter is whether Jane Got a Gun is any good or not. I have high hopes for it. Despite the revolving door of actors, the cast remains strong, suggesting that the script (which was on the 2011 Black List) was compelling enough to attract A-list performers. (The involvement of Portman, McGregor and Edgerton also makes it a Star Wars prequel reunion…for whatever that’s worth.) Independently financed films are never easy to package, and can be especially difficult to hold together in the face of adversity, so the fact that these producers managed to keep the project going is impressive. It’s too bad that Portman, a champion of women in the film industry, has now had two films in a row on which female directors have ended up replaced by men for reasons that remain a mystery. (Patty Jenkins was supposed to direct Thor: The Dark World.) Jane Got a Gun will surely be a different movie under the direction of O’Connor than it would have been under Ramsay, but hopefully it will all come together and work out for everyone, including the audience.

21.
A MOST VIOLENT YEAR

Director/Writer: J.C. Chandor
Cast: Jessica Chastain, Oscar Isaac, Christopher Abbott, Jerry Adler, Albert Brooks, Glenn Fleshler, Peter Gerety, David Margulies, Catalina Sandino Moreno, Alessandro Nivola, David Oyelowo
Release Date: November 12

Margin Call and All is Lost have established J.C. Chandor as an exciting writer/director, so I await his third feature with great interest. Set in New York City in 1981, which was one of the most violent years in the city’s history (hence the title, not to be confused with Philip Seymour Hoffman’s A Most Wanted Man), the movie follows an immigrant couple who start an oil company, then must protect their business and their family from competitors who try to ruin them through a variety of corrupt and violent means. Javier Bardem was originally set to play the husband, but left the project due to that generic Hollywood factor called “creative differences.” He was replaced by Isaac, whose profile has risen thanks his superb lead performance in Inside Llewyn Davis. Isaac and Chastain are old friends and classmates from Julliard, so they should generate good chemistry. And no movie was ever hurt by having Albert Brooks onboard.

20.
TRANSCENDENCE

Director: Wally Pfister
Writer: Jack Peglam
Cast: Johnny Depp, Paul Bettany, Clifton Collins Jr., Morgan Freeman, Rebecca Hall, Cole Hauser, Kate Mara, Cillian Murphy
Release Date: April 18

These days, any movie with Johnny Depp that doesn’t involve him hiding behind wigs, contact lenses and a thick layer if makeup or jewelry is worth noting, because there’s a chance we might rediscover the Actor who was so compelling in movies like Donnie Brasco, Finding Neverland and What’s Eating Gilbert Grape. (Not that he can’t be enjoyable when disguised, but it’s starting to get old.) So I cast my eye toward this sci-fi drama, which looks like it might share some ideas with recent Academy Award winner Her, but with less romantic yearning and more paranoia. Depp plays a scientist working in artificial intelligence whose consciousness is uploaded into a computer, where it grows in power and begins to pose a threat.

In addition to an unfettered Depp, the movie is high on my radar for marking the directorial debut of Pfister, the cinematographer who has shot all of Christopher Nolan’s movies since Memento (earning an Oscar for Inception along the way). This could be an especially important movie for Depp. The Rum Diary, Dark Shadows and The Lone Ranger were critical and commercial failures, so the guy could use a hit…preferably (to me) one where he isn’t slathered in makeup. Here he’ll be playing a more normal character in an intriguing sci-fi project that should have no problem appealing to an intelligent fan base. I hope it delivers, and restores his box office credibility.

19.
BIG EYES
Director: Tim Burton
Writers: Scott Alexander, Larry Karazewski
Cast: Amy Adams, Christoph Waltz, Danny Huston, Jon Polito, Krysten Ritter, Jason Schwartzman, Terence Stamp
Release Date: TBA

Speaking of Johnny Depp (sort of), I’m not sure what to make of a movie that lists Tim Burton as its director yet doesn’t include his favorite actor among the cast, or appear to involve lead characters sporting heavy makeup. While I try to make sense of it, here’s what we know. Waltz plays Walter Keane, an artist who became known in the 1950’s and 60’s for paintings of children with large eyes, which he mass-produced and sold inexpensively. Adams plays his wife Margaret, who was actually creating the paintings herself only to watch her husband take the credit and become famous. The result of his deception was a divorce and a high-profile court case.

It’s encouraging to see Burton return to oddball material like this, and to re-team with the screenwriting duo behind one of his best films, Ed Wood. Alexander and Karazewski specialize in biopics of unusual figures (they also wrote The People vs. Larry Flynt and the Andy Kaufman film Man on the Moon), and the story of Margaret and Walter Keane sounds like perfect material for them, and pretty good for Burton too.

X
18.

JERSEY BOYS
Director: Clint Eastwood
Writers: Rick Elice, John Logan
Cast: Erich Bergen, Michael Lomenda, Vincent Piazza, Steve Schirripa, Christopher Walken, John Lloyd Young
Release Date: June 20

At 83 years old, Clint Eastwood continues to tackle new challenges as a director. He’s made films about music and musicians before, like Honkytonk Man and Bird, but now he’s flexing his muscles with his first actual musical, based on the 2006 Tony Award winner. Jersey Boys cleverly uses the rich song catalog of Frankie Valli and the Four Seasons to tell the story of how the band came together and rose to the top of the charts despite challenges posed by one of the member’s mounting debts to a loan shark, not to mention the usual strain that success and fame puts on personal relationships. The production makes use of all the band’s beloved songs, including “Big Girls Don’t Cry,” “Walk Like a Man,” “Sherry” and “December 1963 (Oh What a Night),” so prepare for annoying texters in the movie theater to be replaced by annoying people singing along with all the hits. Eastwood enlisted John Lloyd Young, who originated the role of Valli on Broadway (and won a Tony), to reprise the part here, and since the cast is primarily unknown, he drafted Walken to add some star power as a mob boss with ties to the band. The material seems like an odd fit for Eastwood, so I’m eager to see what he does with it.

17.
JUPITER ASCENDING

Directors/Writers: Andy and Lana Wachowski
Cast: Mila Kunis, Channing Tatum, Doona Bae, Sean Bean, Douglas Booth, James D’Arcy, Eddie Redmayne
Release Date: July 18

Mila Kunis as a janitor? Channing Tatum as a warrior who has been genetically engineered as half-wolf and half-albino? Welcome to the most improbable movie of 2014. But it’s all good; improbable is where the Wachowski’s live, eat and breathe. It’s nice to see the sibling creators of The Matrix back in action so soon after the underappreciated 2012 opus Cloud Atlas. Hopefully whatever creative juices served them so well on that project will be at work here too. I suspect that the less I know about the movie’s specifics, the more rewarding my viewing will be. All I know is that the sci-fi adventure casts Kunis as the target of an assassination plot by a galactic queen, and Tatum as her protector. Tale as old as time.

16.
WHILE WE’RE YOUNG
Director/Writer: Noah Baumbach
Cast: Ben Stiller, Naomi Watts, Amanda Seyfried, Adam Driver, Brady Corbet, Adam Horovitz, Charles Grodin
Release Date: TBA

Despite the glowing reviews it earned, I was not a fan of Baumbach’s last film, Frances Ha (though I love its star, Greta Gerwig). Nor was I crazy about his previous effort Greenberg, starring Ben Stiller and Gerwig. But I love The Squid and the Whale and think Nicole Kidman gives one of her best performances in Margot at the Wedding, so I’m hoping that his latest hews closer to those earlier films. I like the cast and the premise, which finds Stiller and Watts as an uptight couple who strike up an unlikely friendship with a younger, free-spirited couple (Seyfried and Driver). That’s all we have to go on right now, but there’s potential all over this. And how great will it be to see Charles Grodin again? Aside from one-shot guest starring roles on Law & Order: SVU and The Michael J. Fox Show, Grodin hasn’t been onscreen since 2006. I can’t believe he’s almost 80!

15.
GUARDIANS OF THE GALAXY
Director: James Gunn
Writers: James Gunn, Nicole Perlman
Cast: Chris Pratt, Dave Bautista, Glenn Close, Bradley Cooper (voice), Benicio del Toro, Vin Diesel (voice), Karen Gillen, Gregg Henry, Djimon Hounsou, Lee Pace, John C. Reilly, Michael Rooker, Zoe Saldana
Release Date: August 1

This new venture from Marvel Studios expands their universe beyond The Avengers by introducing a new gallery of characters based on a 2008 series of comics about a team of space-traveling misfits. That team includes a smart-ass human pilot named Peter Quill, who tries to pass himself off under the name Star Lord; a genetically engineered, talking raccoon with a mean streak; and a tree-person. Like…a person…who’s also kind of a tree. Or something. Sorry, did I label Jupiter Ascending “the most improbable movie of 2014?” I may have to reassign that label.

I’ve really enjoyed what Marvel has been doing on film, beginning with Iron Man. To varying degrees, the movies have been fun and engaging (if not always entirely logical) action-adventures with a lot of humor. Guardians of the Galaxy seems to be playing up the humor even more, with its tongue firmly in cheek concerning its bizarre array of characters. The presence of Chris Pratt in the lead role only reinforces that tone. (I’ve recently come to decide, by the way, that Chris Pratt should be in everything.) Part of the pleasure I’ve found in the Marvel films is the little ways they all connect to each other (and when it comes to The Avengers, the big ways). How much Guardians of the Galaxy will connect with the stories of Iron Man, Hulk, Captain America and the rest remains to be seen, but it seems entirely possible the two crews will meet up eventually, or at least that the stories will intersect. Several of the characters in the Guardians comics have ties to the villain Thanos, who made a teasing appearance during the end credits of The Avengers. And the end credits of Thor: The Dark World were similarly interrupted by a teaser that introduced Benicio del Toro’s character The Collector, described as “an outer-space Liberace.” (So perhaps Michael Douglas signed on for the wrong Marvel movie.) Whatever Marvel has in store down the line, for now I’m just really curious to see if Guardians of the Galaxy is as much fun as it looks like.

X
14.

MEN, WOMEN & CHILDREN
Director: Jason Reitman
Writers: Jason Reitman, Erin Cressida Wilson
Cast: Adam Sandler, RoseMarie DeWitt, Jennifer Garner, Judy Greer, Timothee Chalamet, David Denman, Kaitlyn Dever, Ansel Elgort, Dennis Haysbert, Dean Norris, J.K. Simmons, Emma Thompson
Release Date: TBA

Adam Sandler is an unusual case study of the modern movie star. His self-developed vehicles tend to be sophomoric, clichéd and simplistic. And often hilarious…though not so much lately. Yet he also continues to inspire more high-minded commercial filmmakers, and has been given more opportunities than most primarily comic actors to explore more serious roles. Paul Thomas Anderson, Mike Binder, James L. Brooks and Judd Apatow have all cast him in parts with more depth than the ones he creates for himself. The results are mixed, but it’s still cool to see filmmakers of that caliber continually seek out his talents. Given his recent output, he could use a few more of these opportunities. This year, he gets two.

The first is Jason Reitman’s latest, and offers hope of a return to form after the recent detour of Labor Day, which was better than it might have been…but still not so good. Men, Women & Children, adapted from the novel by Chad Kultgen, follows a group of teenagers and their parents, exploring how internet culture affects their relationships, communication abilities and sexual frustrations. That description suggests a tone in line with Reitman’s previous work like Thank You for Smoking and Juno. Let’s hope so.

13.
THE COBBLER
Director: Tom McCarthy
Writers: Tom McCathy, Paul Sado
Cast: Adam Sandler, Ellen Barkin, Steve Buscemi, Melonie Diaz, Glenn Fleshler, Dustin Hoffman, Method Man, Dan Stevens
Release Date: TBA

Here is Sandler again, this time under the direction of Tom McCarthy. This is the fourth movie he’s made, and I love the previous three: The Station Agent, The Visitor and Win Win. His movies are always simple, straightforward, relatable and rewarding, with excellent performances. I often compare him to Alexander Payne, and lament that he isn’t as appreciated. In his latest, Sandler plays a cobbler who owns a shop in New York City and comes to feel stuck in place while the shoes he repairs carry his customers off to more exciting horizons. Then he discovers a family heirloom that allows him to magically walk in other people’s shoes and get a taste of lives beyond his own. In the wrong hands, this set-up could disintegrate into maudlin dreck. Maybe even in the right hands it could disintegrate into maudlin dreck. But I’ll gladly give McCarthy the benefit of the doubt, and see if he can strike a good balance between realism and whimsy. It’s not completely foreign territory for him; although the previous films he’s directed lack any sort of fantasy element, he did co-write the story for Pixar’s Up. The cast includes Dan Stevens, so hopefully the movie will be a small piece of justification for him abandoning Downton Abbey. Damn your reckless driving, Matthew Crawley!

12.
UNTITLED CAMERON CROWE PROJECT
Director/Writer: Cameron Crowe
Cast: Bradley Cooper, Rachel McAdams, Emma Stone, Alec Baldwin, Jay Baruchel, Michael Chernus, John Krasinski, Danny McBride, Ivana Milicevic, Bill Murray
Release Date: December 25

Cameron Crowe is due for a comeback. His last few films — We Bought a Zoo, Elizabethtown and Vanilla Sky — all have good moments and enjoyable elements, but are either too sentimental, too precious or too senseless. So with his latest film, I’m hoping he can strike the tone that makes Almost Famous, Jerry Maguire and Say Anything work so well.

Cooper plays a military contractor assigned to a base in Hawaii where he has worked before, and where he now must oversee the launch of a weapons satellite. He falls for an air force pilot (Stone), reconnects with a now married former love (McAdams) and encounters “mystical island forces and a talking computer.” The script is apparently a revised version of an earlier Crowe project called Deep Tiki, which he tried to put together post-Elizabethtown with Ben Stiller and Reese Witherspoon. Whether that title will remain, or how much of that original script is still intact, remains to be seen. The little I’ve read about it suggests to me an L.A. Story vibe, and the article linked above references Joe Versus the Volcano. Those touchpoints are promising, if Crowe can handle the magical realism without over-reaching and indulging in sappiness. At its best, Crowe’s work reveals an open-heartedness and a smart sense of romance. But he can also take those qualities too far. Here’s hoping he can nail the right balance with this one. The cast sure looks promising, and he’s overdue for a win. I’m rooting for him.

11.
THE HOBBIT: THERE AND BACK AGAIN
Director: Peter Jackson
Writers: Peter Jackson, Philippa Boyens, Fran Walsh, Guillermo del Toro
Cast: Martin Freeman, Ian McKellan, Richard Armitage, Cate Blanchett, Orlando Bloom, Billy Connolly, Benedict Cumberbatch, Luke Evans, Stephen Fry, Ryan Gage, Ian Holm, Christopher Lee, Evangeline Lilly, Sylvester McCoy, James Nesbitt, Lee Pace, Ken Stott, Aidan Turner, Hugo Weaving, Elijah Wood
Release Date: December 17

The second chapter of Peter Jackson’s Hobbit trilogy ended on a huge cliffhanger, so his third (or sixth, really) and final installment should waste no time picking up the action, as the dragon Smaug threatens Laketown and other regions surrounding The Lonely Mountain. That situation will give way to the Battle of Five Armies, in which dwarves, men and elves (and one Hobbit) band together against goblins and orcs, all under the larger looming threat of Sauron’s return. Although The Hobbit films have not matched the brilliance of the Lord of the Rings trilogy, I have enjoyed both episodes quite a bit, and look forward to seeing how Jackson winds down his long and fruitful stay in Middle Earth.

10.
MUPPETS MOST WANTED

Director: James Bobin
Writers: James Bobin, Nicholas Stoller
Cast: Ty Burrell, Tina Fey, Ricky Gervais
Release Date: March 21

I will forever worship at the altar of The Muppets, so I’m thrilled to see them back again after their return to the movies in 2011. This time around, joined by the previous film’s newly introduced Walter, the gang is enjoying a European tour that goes astray when they encounter a criminal mastermind named Constantine, who happens to look nearly identical to Kermit. This is not the first time the Muppets have tangled with jewel thieves in Europe; that would be The Great Muppet Caper, my favorite of their big screen escapades. If this outing is anywhere near as good as that was, I’ll be in my own personal Happiness Hotel. Although Jason Segel co-wrote the 2011 film that re-introduced Kermit and Company, he decided not to return. But his co-writer Nicholas Stoller came back, writing the script with returning director James Bobin. And Bret McKenzie, the Flight of the Conchords star who won a Best Original Song Academy Award for the last film’s “Man or Muppet,” also returns. As usual, expect plenty of celebrity cameos in addition to the starring roles filled by Fey, Gervais and Burrell, the latter of whom replaced Christoph Waltz when his schedule conflicts couldn’t be worked out. From Christoph Waltz to Ty Burrell…that’s gotta be one of the unlikeliest instances of recasting I’ve ever heard of.

X
9.
INTO THE WOODS
Director: Rob Marshall
Writer: James Lapine
Cast: Christine Baranski, Tammy Blanchard, Emily Blunt, James Corden, Frances de la Tour, Johnny Depp, Daniel Huttlestone, Anna Kendrick, Billy Magnussen, Chris Pine, Lucy Punch, Meryl Streep, Tracey Ullman
Release Date: December 25

Rob Marshall deserves credit for bringing musicals back into vogue with his stylish, inventive direction of 2002’s Chicago. Since then, he’s moved between musicals (Nine) and “regular” movies (Memoirs of a Geisha, Pirates of the Caribbean: On Stranger Tides), and his latest musical is a modern classic, with lots of room for compelling production values amidst the great song score and A-list stars. Stephen Sondheim’s 1986 winner of several Tony Awards takes its inspiration from Grimm fairy tales, weaving characters from Cinderella, Jack and the Beanstalk, Rapunzel and Little Red Riding Hood into the original story of a childless baker, his wife and the witch who placed a curse on them. Marshall has assembled an impressive cast that includes Oscar and Tony nominees and winners. (Jake Gyllenhaal was cast at one point, but the sheer weight of star power crushed him, and he was replaced by up-and-comer Magnussen.) Together they should bring this terrific musical to vibrant life.

8.
BOYHOOD

Director/Writer: Richard Linklater
Cast: Patricia Arquette, Ethan Hawke, Ellar Coltrane, Lorelei Linklater
Release Date: TBA

Several years back, I read an article in Variety announcing that director Richard Linklater was embarking on a new film project that would trace the life of a young boy over a decade or so of growth. With Ethan Hawke and Patricia Arquette onboard to play the child’s parents, Linklater would film for just a few days every year from the time the boy was in kindergarten to the time he graduated high school. He identified a child named Ellar Coltrane, whose parents appreciated the idea of the project and agreed to their son’s participation, and off they all went. It sounded like a fascinating undertaking, and I looked forward to seeing the results. Yet as the years went by, I heard nothing more about it. Was it still happening? Certainly the Hollywood trades announce projects all the time that never go anywhere. Then maybe two years ago, in an interview with Linklater, the project was mentioned and I learned that it had indeed been continuing. It came up again last year when Linklater and Hawke were promoting Before Midnight, and then just like that, the movie was a last-minute addition to January’s Sundance Film Festival, where it was welcomed with strong reviews.

Described by Hawke as the “smallest epic ever made,” Linklater’s experiment is not completely unique. The 1964 documentary Seven Up! followed the lives of several British children, and every seven years since, director Michael Apted has reconnected with them and produced a new film chronicling their lives, the most recent being 2012’s 56 Up. And of course the Harry Potter series, with a new installment being filmed every year to year-and-a-half, showed a group of children growing up before our eyes. But Boyhood seems to offer the most distilled form of this idea yet. Coltrane (who may be credited as Ellar Salmon; Coltrane is his middle name, which he recently began using instead) was 7 years old when the film started shooting; he was 18 when it finished, and 19 by the time he went to Sundance. He’s been involved with this project for over half of his life, and I expect watching him age physically and psychologically over the course of the movie will offer an untraditionally exciting filmgoing experience.

7.
GONE GIRL
Director: David Fincher
Writer: Gillian Flynn
Cast: Ben Affleck, Rosamund Pike, David Clennon, Kim Dickens, Patrick Fugit, Neil Patrick Harris, Scoot McNairy, Tyler Perry, Missi Pyle, Emily Ratajkowski, Sela Ward, Casey Wilson
Release Date: October 3

Gillian Flynn earned rave reviews for her novel about Nick Dunne, a husband whose wife Amy disappears on their fifth wedding anniversary. Their marriage, which seemed so perfect from the outside, is revealed to be anything but once the media frenzy and police investigation intensifies. As the spotlight bears down on Nick, he begins to exhibit strange behavior, and soon people are wondering if this seemingly ideal husband has killed his wife.

I’ve heard that Flynn’s novel combines the page-turning intensity and twisty plotting of a great beach read with the depth of more sophisticated fiction. Either way, it seems like great material for Fincher to play with. From Seven to Zodiac to The Girl with the Dragon Tattoo, he has a masterful touch for creating gripping cinematic mysteries. Affleck has said that Fincher and Flynn collaborated closely on adapting the book, so hopefully the results will satisfy the needs of a movie as much as the fans of the source material. On the other hand, maybe not: Flynn apparently reconceived the entire third act of the story for the film, including a different ending. That’s bound to worry the book’s many fans, but I find it fascinating when a novelist adapts their own work for the screen and takes it in a radically different direction (see Scott Smith’s A Simple Plan).

Oh, and if you scanned the cast list and didn’t recognize the name Emily Ratajakowski, you may know her as the stunning brunette model from the video for Robin Thicke’s hit “Blurred Lines.” Yeah…that one. I quote Jackie Gleason from The Toy: “Ooof.”

6.
ST. VINCENT DE VAN NUYS

Director/Writer: Ted Melfi
Cast: Bill Murray, Melissa McCarthy, Scott Adsit, Nate Corddry, Terrence Howard, Chris O’Dowd, Naomi Watts
Release Date: April 11

Bill Murray, in what could potentially be a killer leading role, plays a degenerate retiree who is tapped by the divorced mom newly moved in next door to babysit for her 12 year old son while she tries to make ends meet working long hours. Melfi’s script landed on the 2011 Black List (along with Jane Got a Gun, and a number of other films due out this year), and Murray — a notoriously difficult get for filmmakers hoping to cast him — loved it so much that he approached Melfi himself to discuss playing the part. There was apparently a lot of competition to play the boy’s mother, with McCarthy eventually winning out. The role is said to be somewhat more grounded than the extreme comedic characters she played in Bridesmaids, Identity Thief and The Heat, so it only stands to increase her already soaring stock. I’m a little skeptical about the April release date; that’s a month away, and there hasn’t been a trailer, a poster or any promotion for the film yet at all. But the project has attracted a lot of buzz within the industry, so whenever it arrives, expectations will be high.

5.
ROSEWATER

Director/Writer: Jon Stewart
Cast: Gael Garcia Bernal, Shohreh Aghdashloo, Jason Jones, Dimitri Leonidas
Release Date: TBA

Yes, that Jon Stewart. You may recall that last summer, Stewart took a break from hosting The Daily Show — leaving it in the capable hands of John Oliver — and traveled to Jordan to direct a movie. And given that this is Jon Stewart, you might expect that movie to be a comedy. Uh-uh. Stewart’s directorial debut is a reality-based drama about Maziar Bahari, an Iranian-born journalist who was vocally critical of his native country’s regime even long after he’d been living in the west. While visiting Iran for a story in 2009, he was arrested and imprisoned for 118 days, during which time he was held in solitary confinement and tortured under charges of espionage. The evidence against him included an interview he gave to The Daily Show, in which correspondent Jason Jones pretended to be an American spy. Bahari, whose father and sister had also spent time in prison under previous regimes, wrote about his experience and his family’s in the book Then They Came for Me, which Stewart has adapted for this film.

My love and admiration for Jon Stewart knows no bounds, so naturally I can’t wait to see how this turns out. Not only is he taking on the entirely new challenge of writing and directing a film, but he’s doing it with a serious story to which he feels personally connected and beholden to get right. I can’t imagine he would enter this lightly. He could have produced the movie, even just written it and found a more established director to film it. The fact that he’s taking it on himself tells me he really believes he can bring something to it. Does his talent extend to filmmaking, or will this turn out to be a major miscalculation? The involvement of esteemed producer Scott Rudin encourages me, as does Stewart’s own humble persona. The script even has J.J. Abrams’ endorsement, so if this goes well, maybe Stewart will write and direct Star Wars Episode VIII.

X
4.
BIRDMAN

Director: Alejandro González Iñárritu
Writers: Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Armando Bo
Cast: Michael Keaton, Edward Norton, Lindsay Duncan, Zach Galifianakis, Andrea Riseborough, Amy Ryan, Emma Stone, Naomi Watts
Release Date: TBA

It’s been a sad several years for fans of the great Michael Keaton. After his sharp supporting turn in Jackie Brown (and a great cameo as the same character in the next year’s Out of Sight), Keaton stumbled into some pretty bad movies, like Jack Frost, First Daughter and White Noise. Those were followed by some little-seen indie films, and even though there were occasional bright spots — TV projects like The Company and Live from Baghdad, and voice work in Pixar’s Cars and Toy Story 3 — it still felt like Keaton was MIA for a decade. Then in 2010, he started to become more visible. During the past few years, he played Will Ferrell and Mark Wahlberg’s boss in The Other Guys, guest starred on 30 Rock and turned up in Larry David’s HBO movie Clear History. Already this year he’s been featured in Robocop and Need for Speed…though his talents deserve better material than either of those movies. Fingers crossed, that material may finally be here. In Birdman, Keaton will take on his highest profile and most promising lead role in ages, perfectly cast as an actor famous for having once played a well-known superhero, who is now trying to launch a comeback by mounting a Broadway play based on a Raymond Carver short story. His efforts are challenged by a difficult leading man (Norton) and unresolved issues with his ex-wife and daughter.

Not only does the movie mark a comeback for Keaton, but also a surprising change of pace for its co-writer and director, Alejandro González Iñárritu. After making 21 Grams, Babel and Biutiful — three of the most profoundly depressing films you’re ever likely to see — the Mexican filmmaker is trying his hand at comedy. There’s nothing about this project that doesn’t sound great. I love the casting, the plot description, and the likelihood of juicy roles for Keaton and Norton, two enormous talents who deserve great material.

3.
THE GRAND BUDAPEST HOTEL
Director/Writer: Wes Anderson
Cast: Ralph Fiennes, F. Murray Abraham, Mathieu Almaric, Bob Balaban, Adrien Brody, Willem Dafoe, Jeff Goldblum, Harvey Keitel, Jude Law, Bill Murray, Edward Norton, Tony Revolori, Saoirse Ronan, Jason Schwartzman, Léa Seydoux, Tilda Swinton, Tom Wilkinson, Owen Wilson
Release Date: March 7

Of course this is the one I mentioned at the beginning that’s already been released, so no need to dwell on it. You’ve probably seen a trailer or commercial by now and gotten a taste of Wes Anderson’s latest confection. From a standpoint of art direction and costume design, this may be the director’s most elaborate and beautiful film to date, which would be no small feat. The cast is a killer mix of Anderson veterans and newcomers, with Ralph Fiennes looking to be a brilliant fit for Anderson’s unique comedic rhythms.

2.
INHERENT VICE

Director/Writer: Paul Thomas Anderson
Cast: Joaquin Phoenix, Jeannie Berlin, Josh Brolin, Benicio del Toro, Martin Donovan, Jena Malone, Peter McRobbie, Joanna Newsom, Kevin J. O’Connor, Eric Roberts, Maya Rudolph, Martin Short, Timothy Simons, Katherine Waterston, Owen Wilson, Michael Kenneth Williams, Reese Witherspoon
Release Date: December 12

A new film by Paul Thomas Anderson is always cause to get excited. This guy couldn’t make a boring movie if his life depended on it, but what makes this one particularly intriguing is that it looks like it might actually be fun! Magnolia, There Will Be Blood, The Master…they’re all pretty bleak. Even Punch Drunk Love, which is technically a comedy, is unnervingly weird and disturbing. You have to go back to 1997 and Boogie Nights for a PTA movie that isn’t just fascinating, but also a good time. That movie gets dark eventually too, but it has a hell of a lot of fun along the way. Now it looks like Anderson is ready to lighten up, as he adapts Thomas Pynchon’s 2009 novel about “Doc” Sportello, a pothead P.I. in Los Angeles circa 1969 who gets involved in a kidnapping investigation at the behest of his ex-girlfriend. Robert Downey Jr. was initially attached to play Sportello, but Anderson decided to re-team with his Master star Phoenix, then assembled an impressively colorful cast around him. The wait until December will be tough…but since we usually have to wait around four years between Anderson projects, at least we can be grateful that he got back to work so soon after The Master.

1.
INTERSTELLAR

Director: Christopher Nolan
Writers: Christopher Nolan, Jonathan Nolan
Cast: Matthew McConaughey, Casey Affleck, Wes Bentley, Ellen Burstyn, Michael Caine, Jessica Chastain, Timothee Chalamet, Matt Damon, William Devane, Mackenzie Foy, David Gyasi, Topher Grace, Anne Hathaway, Bill Irwin, John Lithgow, David Oyelowo
Release Date: November 7

With his last few films, Christopher Nolan has owned the midsummer. The Dark Knight Rises, Inception and The Dark Knight were all released the third Friday of July in their respective years, giving the director the same kind of day/date ownership that Will Smith long held over July 4th weekend. With his latest, Nolan enters the highly competitive year-end fray, so perhaps Paramount and Warner Brothers see as much potential for awards glory as they do for box office returns. But that’s just speculation. What about the movie itself?

Well…there’s not much more than speculation on that front either, as the film is still cloaked in the kind of secrecy that always accompanies a new Nolan project. What we do know is that the script was originally written by Nolan’s brother and frequent collaborator Jonathan as a possible directing vehicle for Steven Spielberg. When Spielberg moved on, Chris got involved. Together the brothers reworked the script, creating something that combined Jonathan’s original story with new elements that were occupying Chris’ mind. A vague teaser trailer was released a few months ago, and I suspect that’s all we’ll get until a full trailer arrives, most likely this summer. The only other information we have at this point is that the movie is said to concern exploration of the furthest reaches of space, with a ship possibly discovering and entering a wormhole…evidence that would appear to be corroborated by the involvement of scientist Kip Thorne. Could Nolan be tackling time travel with this movie? I don’t know…but I wish I could time travel to November right now.

Next Page »

Blog at WordPress.com.

%d bloggers like this: